Royal Museum Of Fine Arts Antwerp

Royal Museum Of Fine Arts Antwerp Belgium

Royal Museum of Fine Arts

Words

Steph Wade

Antwerps Royal Museum of Fine Arts , founded in 1810, is a museum housing collections of historical art from the fourteenth to the twentieth centuries. The grand cultural venue has had a contemporary renovation and extension thanks to Dutch firm KAAN Architecten.

Visitors can enjoy a promenade surrounded by art, as well as the exterior landscape experienced through multiple lookouts over the city and inner patios. KAAN Architecten has been working on the 100 million euro renovation since the early 2000s, which includes hiding a minimalist wing within the existing 19th-century structure. Only visible from the inside, the new building aims to preserve the integrity of the original building, and is made up of a sequence of bright white exhibition halls with glossy floors and marble details. Guests can either walk through the original exhibition rooms tinted in dark pink, green and red with oak doors, tall columns, and ceiling ornaments conveying a grandeuror head the other direction, straight towards the new wing. The experience is never predictable yet always in balance: both routes are challenging and designed to serve the art, explains a statement from the firm. In addition to being one of the last examples of bold neoclassical architecture in the city, the museums collections embrace seven centuries of art: from Flemish Primitives and expressionists, to paintings, sculptures, and drawings.

Antwerp As An Arts Hub

These days, Antwerp may not be considered a world-wide hotspot for contemporary art. However, the city was once one of the world’s most important art capitals and many hope it will become that once again. The newly renovated building certainly can’t hurt. Rotterdam-based Kaan Architects won the bid with its proposal to integrate the building’s four courtyards into their design. As a result, the new construction has an interesting effect whereby the new exhibition halls featuring 20th and 21st century art are located in the heart of the neoclassical-style building.

The expansion also gave the museum 40% more exhibition space, allowing curators to show more artworks than ever before. The high-gloss floors and bright white walls of the new halls take some getting used to, since the aesthetic is a stark contrast to the dignified flair of the old building. Yet this was precisely the intention of the architects: to create two museums in one. “The museum of the 21st century and the museum of the 19th century could hardly be more different,” says Dikkie Scipio, architect and co-founder of Kaan Architects in Rotterdam.

Image: Hugo Maertens

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Collectors And Generous Friends

LArt contemporain LArt contemporainThéo Hannon Woman with Blue Shawl Afternoon in Ostend Skeletons Fighting for the Body of a Hanged ManThe Intrigue Flowers and VegetablesStill life with Oysters Mask and CrustaceansThe Main Dock, OstendStill life with ChinoiseriesAstonishment of the Mask Wouse

In the meantime, Ensors good friends Dr. Albin Lambotte and his artistically acute spouse Emma had built up a collection in their house in Antwerp that was comparable to the one in the museum. Compelled by dire financial needs, they proposed to the ‘Commision for purchases of the Royal Museum in Antwerp a price of 1.000.000 Belgian francs to become the owner of a collection of drawings, still lifes, seascapes and major works. The Antwerp museum purchased six works: Girl with Upturned Nose, an early work from 1879, a study entitled The Wait , Still lifes with Chinoiseries , the well-known The Oyster-eater , a crucial landscape Adam and Eve Expelled from Paradise and the Sloops . The remaining works from the Lambotte collection provisionally remained in private possession in Antwerp. Later, these works ended up in various institutions both at home and abroad: Pierrot and the Skeletons , Self-portrait with Masks , Menard Art Museum), The Garden of Love , Toyota Municipal Museum of Art) and Children At Their Morning Toilet .

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Royal Museum Of Fine Arts Antwerp Reopens

Friday, 23 September 2022

This Saturday, on 24 September, the Royal Museum of Fine Arts Antwerp will open its doors again to the public. After 11 years of construction and renovation, it will once again welcome the public.

The museum is celebrating its reopening with an artistic festival weekend. Performances and festivities will take place on the museum square and the renovated galleries will be bustling with celebratory activities. On Saturday at 10.30 a.m. an opening ceremony with ballet dancers and a 120-strong choir will officially start off the opening of the festival.

The expansion by Kaan Architects

The De Keyzer room

The entrance hall

Double staircase

While the historic building was being renovated, a new white volume was fitted into four historic courtyards to create 40% additional exhibition space. The expansion is invisible from the outside and takes visitors completely by surprise. The new rooms mainly house modern art while the Old Masters are on display in the historic building. Not only the interior of the museum has undergone a metamorphosis. The façade also has been restored including a new mosaic at the entrance and a museum garden was created.

New gallery and walkway

New gallery in the historic building

Memlings God the Father

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How To Get To The Royal Museum Of Fine Arts

The museum is located at Leopold de Waelpaats, about two kilometers south of the central square Grote Markt.

Where to see the museums collection in 2020

Although the Royal Museum of Fine Arts is closed for renovation, many exhibits can be viewed at other museums in and around Antwerp, including:

• Through March 1, 2020, the Dreams of mother-of-pearl exhibition at Mu.ZEE in Ostend, featuring the Royal Museums James Ensor collection
• through December 31, 2020, the exhibition The Madonna meets Mad Meg can be seen at the Museum Mayer van den Bergh in Antwerp.

Exact information about where the exhibitions are on display can be obtained from the special information office on the square near the museum or on the official website of the Royal Museum of Fine Arts www.kmska.be/nl.

% Amazement 50% Discount

To celebrate the reopening, the KMSKA and the City of Antwerp are joining forces. With a KMSKA admission ticket you get a 50% discount on a ticket to any other museum in Antwerp. How it works:

Please note:

• The ticket offer applies to one museum per ticket. The code can only be used once.
• The ticket offer will run until Sunday 8 January 2023.
• The ticket promotion applies to any of these 13 museums:

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The Academy In The Merchant Exchange

The Academy signals a great consequent step in the expansion of the 17th-century collection. In 1663, Philip IV grants the right to establish an academy within the Saint Luke Guild following the examples of Rome and Paris. Former Dean David Teniers II sees herein the way in which to bring new élan to the artists’ life. The Antwerp city management makes places in the merchant exchange available and the Saint Luke Guild moves the collection of the painters’ chamber to a hall in the eastern wing of the gallery. The painters and sculptors are asked to make works available and there is also a dais where the rhetoric chambers De Violieren’ and the De Olijftak,’ with whom the Saint Luke Guild was associated, could perform.

Jacob Jordaens I and Theodor Boeijermans make three pieces for the ceiling of this new painters’ chamber that are still kept in the collection. Jordaens’ Pegasus and Industry and Trade Promote the Flowering of Art and Boeijermans’ Antwerp, Nourishing the Painters allow it to be seen how the inspiration of painting and poetry are united and leads to the flourishing of the arts in Antwerp. Dirck van Delen complements this programme with the Allegory of the Arts, in which poetry and painting sit lovingly next to each other.

Artus Quellinus I gifts a white marble image of Luis de Benavides Carillo, Marquis of Caracena, Governor of the Spanish Netherlands as thanks for his support.

Museum In Antwerp Shines Again

The building on a magnificent boulevard of Antwerp was closed for more than eleven years, much to the frustration of tourists. Now, after a 100-million-euro makeover the reopened museum displays 650 works spanning seven centuries, including numerous masterpieces of art history. Each gallery is painted in its own color: from burgundy to dark green. Works include altarpieces by Hans Memling, Jean Fouquet and Simone de Martini, as well as Belgian surrealist and expressionist painter James Ensor.

“No other museum in the world has as many Ensors as Antwerp,” says van Hout. “Ensor was born in 1860 in Oostende, Belgium, and his circle of friends was in Brussels, but his collectors lived in Antwerp. That’s how the paintings came to the Royal Museum of Fine Arts.”

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Royal Museum Of Fine Arts Antwerp

The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.

The neoclassical building housing the collection is one of the primary landmarks of the Zuid district of Antwerp. The majestic building was designed by Jean-Jacques Winders and Frans Van Dijk , built beginning in 1884, opened in 1890, and completed in 1894. Sculpture on the building includes two bronze figures of Pheme with horse-drawn chariots by sculptor Thomas Vincotte, and seven rondel medallions of artists that include Boetius à Bolswert, Frans Floris, , Peter Paul Rubens, Quentin Matsys, Erasmus Quellinus II, and Appelmans, separated by four monumental sculptures representing Architecture, Painting, Sculpture, and Graphics.

The building stands in gardens bounded by the Leopold de Waalplaats, the Schildersstraat, the Plaatsnijdersstraat, and the Beeldhouwersstraat, formerly the site of the Antwerp Citadel.

Conservators With A Passion For Ensor

Walter Vanbeselaere, chief conservator of the museum from 1949 to 1973, consecrated the artistic worth and preferences of LArt contemporain. The purchases, exhibitions, politics and the publications of Vanbeselaere himself were probably decisive for the prominent place that James Ensor has since held in the ‘canon of Flemish and Belgian art. Moreover, with the purchase of works by Van Gogh, Degas and Redon, Vanbeselaere tried to place the Antwerp Ensor collection within an international context.

After WWII, the Ensor painting collection grew to 38 specimens with the Bathing-hut , which the sixteen year-old painter painted in situ, the monumental Roofs at Ostend , the large Bourgeois Salon and The Lady with Fan, or Ensors younger sister Mitche , a puzzling View of Phnosie, luminous Waves and Vibrations or The Roofs at Ostend and a difficult-to-date, distinguished Ensor at his Easel. Before Vanbeselaere departed from the museum, he purchased the famous The Skeleton Painter . Probably Vanbeselaeres option to also establish an attractive collection of drawings in addition was at least as important. Shortly after Ensors death in 1949, his inheritors sold large portions of the estate. The Entry of Christ into Brussels came about via various detours and failed purchase attempts by, among others the Royal Museum of Fine Arts of Belgium, in Antwerp, and this as a long-term loan by Louis Franck. The work would remain in the Antwerp museum until 1984.

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Bad News Guys This Museum Is Closed For Renovation Until 2017 Luckily You Can Check Out Nearby Venues In Antwerp To Which The Collection Is Lent Out And Exhibited On A Regular Basis

Thanks to the Royal Museum for not hoarding that massive collection of 7,600 artworks! The crazy vast collections got giants like Peter Paul Rubens, Jean Fouquet, Anthony van Dyck, Rogier van der Weyden and . Even though its shut down for maintenance, you might want to breeze past the building anyway to appreciate the epic neoclassical columned exterior, topped off with impressive looking sculptures.

Also, for those of you who worry about the conditions in which your most beloved artworks dwell, you ought to know that this museum is big on conservation. Not only conservation, but restoration too, for which they have quite a few major projects underway. Good lookin out, Antwerp!

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A True Museum Of Art For Antwerp

1875: dreams of a new museum

The upshot of all this growth was predictable: the academy museum began to run out of space. Climate control and fire safety were no longer fit for purpose either. The city daydreamed out loud about a new museum of fine arts and, having weighed up all the options, decided in 1875 to build a museum on recently cleared land in the Antwerp South district, where the Spanish fortress had once stood. When the Belgian state also backed the project, there was nothing standing in the citys way.

Construction plans drawn up by the architects Jean Jacques Winders and Frans Van Dijk. – KMSKA archives

1877: Competition to Establish a Museum of Fine Arts

Antwerp City Council held a competition to design a new museum but none of the entries was entirely convincing. The city eventually invited the young architects Jean Jacques Winders and Frans Van Dijk to combine their respective designs in a single plan. They took everything into account, from a sense of grandeur to functionality and security.

The new museum would be a standalone structure with galleries located high above the ground. This ensured a safe distance in terms of fire risk between the art and the nearby residential neighbourhood, while potential flooding would not affect the exhibits either. The architects went even further, installing a fire and bomb-proof basement in the middle of the building.

1890: opening

1894: a shameful chapter in the history of the museum square: the World Exhibition

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