Whats In Your Attic Selections From Our Permanent Collection
Now through 2022When the National Afro-American Museum and Cultural Center opened its doors in 1988, it was on the vanguard by being one of the first national museums dedicated to African American history. Today, NAAMCC houses over 8,000 artifacts, 600 linear feet of archived materials, and remains a pioneer in preserving and presenting African American history and culture. Learn more about the stories behind the collections and artifacts of the National Afro-American Museum and Cultural Center.
Art Of Soul Juried Art Show
Now through Sat., Feb. 25, 2023.
The National Afro-American Museum and Cultural Center is proud to present its ninth annual national juried art show. Twenty-nine artists from across the United States exhibit 43 artworks in response to the theme of Black Love. The artwork represents themes and perspectives related to the African diaspora and African American culture and history.
Start With The History Gallery
You enter the main exhibit by heading down to subterranean three levels of concourse galleries. Symbolically it feels like descending into the hold of slave ship, with each subsequent step taking you deeper into the African-American legacy.
Theres so much information here that you could literally spend days absorbing the information.
Galleries include shackles, a slave auction block and Ku Klux Klan robes. A statue of Thomas Jefferson is flanked with bricks listing the humans he owned. Its all offered factually with extensive documentation, all of which makes the impact all the stronger.
But for many the emotional pivot of the entire museum is the casket of Emmett Till Jr. Visitors line up as theyre at a funeral home visitation to pay honors to the 14-year-old boy, who was brutally murdered in northern Mississippi. His mothers courageous decision to hold an open-casket funeral in Chicago, shocked the nation when images were published in Ebony magazine. Tills horrific murder, scholars believe, was the start of the modern Civil Rights movement, and for that we still owe Mamie Till our gratitude.
Now, decades later, its still a heart-rending experience. The curators included a contemplation area for reflection. Take a moment to do just that.
Finally, the galleries touch on modern history with election of Barack Obama and the start of the Black Lives Matter movement.
When you step back outside, youll feel like youve taken a journey. In reality, you have.
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Review: The Smithsonian African American Museum Is Here At Last And It Uplifts And Upsets
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WASHINGTON On a late summer day in 1963, 200,000 Americans made the Washington Monument the compass needle for a new direction in history, up and forward, when they gathered at its base, then marched a mile or so on to hear the Rev. Dr. Martin Luther King Jr. preach sing, really a sermon on racism and a dream of change.
On an early autumn day this Saturday, just yards from the monument, the compass itself will, symbolically speaking, become fully visible, when the National Museum of African American History and Culture opens to the public. To paraphrase the preacher: Its here at last, here at last. And its more than just impressive. Its a data-packed, engrossing, mood-swinging must-see.
That may not have been the intended effect. The initial plan was to cast the facade panels, perforated with decorated patterns, in bronze. When that proved too costly, painted aluminum was substituted, with a loss of reflective sheen. In midday sunlight, the building looks rusted and a little shaggy, like a giant magnet bristling with metal filings.
Washington Dc See The City Guided Sightseeing Segway Tour
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- 935 Pennsylvania Ave NW, Washington DC, USA, United States
Experience Washington DC on a 2-Hour Guided Sightseeing Segway Tour through the nation’s capital and experience all of the great sights the city has to offer! There will be an abundance of photo opportunities of more than 25 historic buildings, monuments and memorials. Don’t miss a word during the tour with our Vox radio headsets. Our knowledgeable guides will provide a wealth of information and humorous anecdotes not found in any guidebook.Please arrive 30 minutes before the departure time for training and equipment fitting. Tours leave our location promptly at the scheduled time. Tour Highlights:
Guided Sightseeing Segway Tour of Washington DC
Personal Segway and Helmet
Headset to clearly hear your tour guide
See over 25+ top DC attractions including the White House, US Capitol, Lincoln Memorial, and more!
Multiple opportunities to stop for photos
30-minute training session on the Segway with video and one-on-one assistance from guide
- Secure your date while staying flexible
Select “Book now, Pay later” later during checkout to secure your date and pay shortly before your event
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Behind The Mask: Black Power In Comics
Now through 2024Newly updated and expanded, Behind the Mask: Black Power in Comics explores the painful and triumphant history of African Americans in comic books. The exhibit delves into the history of black comic book characters who, in the past, were rarely featured as heroes. Black comic book creators are now emerging to establishing superheroes of their own, reflecting a truer self-identity and cultural pride.
Smithsonian National Museum Of African American History And Culture
Washington DC, USA
- 39,019 m² / 420,000 ft²
- Guy Nordeson and Associates, Robert Silman Associates
- Security Consultants
- – Institute Honour Award for Architecture, American Institute of Architects , 2019- Interiors Awards, Civic/Public, Contract Magazine, 2018- Best in Competition, AIANY Design Awards, 2018- Gold Winner, Good Design Award, 2018- Design of the Year, Beazley, 2017- Cultural Event of the Year – New York Times, 2017- Best Cultural Institution, Surface Travel Award, 2017- Award for Excellence in Architecture, AIA|DC Chapter Awards, 2017
Technical Info +
The NMAAHC illustrates how museums can offer a specific narrative alongside a universal message. The African American story is about one culture having empathy with another. The hope is that the museum will offer an open exploration of history, culture and society thereby addressing profound aspects of the human condition and the positive value inherent in creating a forum for multiple interpretations of Americas history and demography however uncomfortable those may be.- David Adjaye
At 50m deep, the setback is similar to other buildings on the north side of the Mall. The underside of the porch roof is tilted upward, reflecting the moving water below. This covered area creates a microclimate where breezes combine with the cooling waters to generate a place of refuge from the hot summer sun. There is also an outdoor patio that is accessed from the fifth floor of the building.
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Visit The Smithsonian National Museum Of The American Indian
Explore the rich, complex, and dynamic histories and cultures of Indigenous peoples throughout the Western Hemisphere.
Open Wednesday through Sunday, 10 a.m. to 5:30 p.m.
The museums architecture, native landscape, and exhibitions designed in consultation with American Indian, Alaska Native, and Native Hawaiian tribes and communities together give visitors a richer shared human experience through a more informed understanding of Native peoples.
Situated near the U.S. Capitol, the National Museum of the American Indian is a striking presence on the National Mall. The buildings curvilinear form evokes a wind-swept mesa. Additional features such as the museums east-facing entrance, prism window, and 120-foot-high Potomac atrium spaces are further expressions of Native sensibilities.
The new National Native American Veterans Memorial, which sits on the grounds of the museum, was commissioned by Congress to give all Americans the opportunity to learn of the proud and courageous tradition of service of Native Americans in the Armed Forces of the United States. This is the first national landmark in Washington, D.C., to focus on the contributions of American Indians, Alaska Natives and Native Hawaiians who have served in the military.
Enjoy the museums award-winning exhibitions: Americans, Nation to Nation: Treaties Between the United States and American Indian Nations andReturn to a Native Place: Algonquian Peoples of the Chesapeake.
Passage Of Federal Legislation
In 2001, Lewis and Representative J. C. Watts re-introduced legislation for a museum in the House of Representatives. Under the leadership of its new Secretary, Lawrence M. Small, the Smithsonian Board of Regents reversed course yet again in June 2001 and agreed to support a stand-alone National Museum of African American History and Culture. The Smithsonian asked Congress to establish a federally funded study commission. Congress swiftly agreed, and on December 29, President George W. Bush signed legislation establishing a 23-member commission to study the need for a museum, how to raise the funds to build and support it, and where it should be located. At the signing ceremony, the president expressed his opinion that the museum should be located on the National Mall.
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Siting And Design Competition
On February 8, 2005, with the site selection committee still deliberating, President Bush again endorsed placing the museum on the National Mall.
The site selection committee did not issue its recommendation until January 31, 2006a full 13 months late. It recommended the site west of the National Museum of American History. The area was part of the Washington Monument grounds, but had been set aside for a museum or other building in the L’Enfant Plan of 1791 and the McMillan Plan of 1902. The United States Department of State originally planned to build its headquarters there in the early 20th century, and the National World War II Memorial Advisory Board had considered the parcel in 1995. On March 15, 2005, the Smithsonian named Dr. Lonnie G. Bunch III to be the Director of the National African American Museum of History and Culture.
The design submitted by the Freelon Group/Adjaye Associates/Davis Brody Bond won the design competition. The above-ground floors featured an inverted step pyramid surrounded by a bronze architectural scrim, which reflected a crown used in Yoruba culture.
The Smithsonian estimated in February 2012 that museum would to open in 2015. Until then, the museum would occupy a gallery on the second floor of the National Museum of American History.
National African American Museum Tips With Kids
Who can visit the National African American Museum of History and Culture? Everyone! I’ve visited twice with my kids and encourage everyone who can visit in Washington, D.C. Below are my top National African American Museum tips with kids including tickets, hours, must-see exhibits, notes on some of the sensitive exhibits, and parking.
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How To Get Free Tickets To The National Museum Of African American History & Culture
The Smithsonians National Museum of African American History and Culture opened in September of 2016. It is an amazing museum that is worth a visit on on any trip to Washington, DC. That said, its still very new and very popular, so unlike other museums on the National Mall, you need a free ticket if you want to go. Its not difficult to get one but you will have to wake up early.
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American Revolution And Early United States
The latter half of the 18th century was a time of significant political upheaval on the North American continent. In the midst of cries for independence from rule, many pointed out the hypocrisy inherent in colonial slaveholders’ demands for freedom. The , a document which would become a for human rights and personal freedom around the world, was written by , a man who owned over 200 enslaved people. Other Southern statesmen were also major slaveholders. The considered freeing enslaved people to assist with the war effort, but they also removed language from the Declaration of Independence that included the promotion of slavery amongst the offenses of . A number of free Black people, most notably âfounder of âsubmitted which called for abolition, but these were largely ignored.
This did not deter Black people, free and enslaved, from participating in the Revolution. , a free Black tradesman, was the first casualty of the and of the ensuing . 5,000 Black people, including Prince Hall, fought in the . Many fought side by side with soldiers at the and at . However, upon ‘s ascension to commander of the Continental Army in 1775, the additional recruitment of Black people was forbidden.
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When You Are At The Museum Talk To The Helpful Staff
When we first entered the lobby, there was a museum staff member with a microphone who went over the layout of the museum and shared where the sensitive exhibits are , and answered any questions. My 8-year-old asked if they have an exhibit on Kamala Harris and the nice staff member said, “not yet! She’s making history right now!”
Late 20th/early 21st Century
, a contemporary American artist, is known for her exploration of race, gender, sexuality, violence and identity in her artworks. Walkers images work to bridge unfinished folklore in the Antebellum South and are reminiscent of the earlier work of . Her nightmarish yet fantastical images incorporate a cinematic feel. In 2007, Walker was listed among magazines 100 Most Influential People in The World, Artists and Entertainers. Textile artists are part of African-American art history. According to the 2010 Quilting in America industry survey, there are 1.6 million quilters in the United States. One historic non profit organization with several members who are quilters and fiber artists is Women of Visions, Inc. located in Pittsburgh, Pennsylvania at the . WOV Inc artists past and present work in a variety of mediums. Those who have shown internationally include and .
Painter Edward Mitchell Bannister, Pleasant Pastures, 1887.
Painter Grafton Tyler Brown, Old Faithful Geyser, Yellowstone National Park, 1887.
Sculptor Edmonia Lewis, Old Arrow Maker, 1872.
Painter Henry Ossawa Tanner, The Annunciation, 1898.
Self-portrait by painter Malvin Gray Johnson, 1934.
Photo by the painter William H. Johnson, 1931.
Photographer James Van Der Zees photo of a woman in evening attire, 1922.
William H. Johnsons Three Friends, c. 1945.
Archibald Motley, Gettin Religion, 1948.
Meta Vaux Warrick Fullers Ethiopia Awakening, 1921.
Laura Wheelers Heirlooms, 1916.
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Accessibility At The Museum
The museum is compliant with the Americans with Disabilities Act and has accessible facilities and entrances. A limited number of free manual wheelchairs are available on a first-come, first-served basis but you can request one when reserving a timed-entry pass.
American Sign Language interpretation and access services are available for scheduled programming by contacting the museum with two weeks advance notice. T-Loops are available at the Welcome Desk and open captioning is included in all exhibition videos. There are National Park Service designated accessible parking spaces along Madison Drive NW adjacent to the museum.
Handwritten Wills Found In Aretha Franklin’s Home
Three handwritten wills have been found in the suburban Detroit home of Aretha Franklin, months after the death of the Queen of Soul, including one that was discovered under cushions in the living room, a lawyer said Monday. The latest one is dated March 2014 and appears to give the famous singers assets to family members. Some writing is extremely…
Curators believe this is the earliest known photograph of the Underground Railroad leader.
An exhibit at the National Museum of African American History and Culture explains the origins of blackface. News4s Derrick Ward spoke to visitors at the museum about the hurt it still causes.
All Smithsonian museums are closed because of the government shutdown. That includes the Air and Space Museum, the National Zoo, and the National Museum of African American History and Culture. News4s Chris Gordon reports.
The National Museum of African American History and Culture is launching new visitation guidelines starting next year.
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National Museum Of African American History & Culture
Occupying the last available space on the National Mall, the Smithsonians National Museum of African American History & Culture is situated prominently between the National Museum of American History and 15th Street, next to the Washington Monument.
The NMAAHC features exhibition space for African American history and culture, as well as a centerpiece venue for ceremonies and performances. The facility looks unlike any other structure on the Mall. The bronze and glass-panel façade, known as the Corona, is a representation of traditional African architecture using modern materials and will visually define the museum. The Corona hangs from the top of the museum with no intermediate support. The museums five above-grade levels are supported by four concrete towers linked at the top by steel trusses. Below grade, the project includes three cast-in-place concrete levels: a mechanical level, a concourse level, and a mezzanine level.
This project continues the longstanding relationship between Clark and the Smithsonian Institution, which dates back to the early 20th century. Since 1983, Clark has built more than 11 projects for the Institution totaling more than 1.3 million square feet.
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Haiti’s Effect On Slavery
The revolt of enslaved Hatians against their white slave owners, which began in 1791 and lasted until 1801, was a primary source of fuel for both enslaved people and abolitionists arguing for the freedom of Africans in the U.S. In the 1833 edition of it is stated that freed Black people in Haiti were better off than their Jamaican counterparts, and the positive effects of are alluded to throughout the paper. These anti-slavery sentiments were popular among both white abolitionists and African-American slaves. Enslaved people rallied around these ideas with rebellions against their masters as well as white bystanders during the and the . Leaders and plantation owners were also very concerned about the consequences Haiti’s revolution would have on early America. Thomas Jefferson, for one, was wary of the “instability of the West Indies”, referring to Haiti.
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