Introducing The Light Hall
- With its 2 400 square metres, the Light Hall will be a spectacular exhibition venue, the first of its kind in Norway.
- 9 000 energy-efficient, adjustable LED lights within the wall will provide a muted light while clearly highlighting the museum in the cityscape.
- The Light Hall will be used for the museum’s temporary exhibitions.
- With a ceiling height of approximately seven metres and a length of 130 metres, the hall will be able to accommodate exhibitions on a scale not previously feasible in Norway.
- Depending on requirements, the Light Hall can be used as a single large exhibition space, or two or three smaller ones. Exhibitions can use the full height of the space. Specially designed installations can be included to fill the entire hall or parts of it. It will be possible to reconstruct houses and even streets.
- If required, the Light Hall can be completely darkened.
- The very first exhibition in the Light Hall will be a . In this exhibition, the hall will be filled with new Norwegian contemporary art, selected following a comprehensive mapping effort across the country.
- The exterior walls of the Light Hall are made of marble glass, a thin layer of marble between two panes of glass. The marble glass was chosen to give the facade a distinctive character and will have the same translucent effect as alabaster.
The New Museum Is World Class But Many Find It A Tough Place To Work
Critics acknowledge the success the New Museum in New York has achieved. But they say it has come at the expense of many people who work there.
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Considered one of the finest small museums in America, the New Museum is routinely acclaimed for its exhibitions of contemporary art under the stewardship of its longtime director, Lisa Phillips.
At the helm for 21 years, Ms. Phillips has earned the admiration of her peers by growing the institution from a scrappy operation into an influential cultural force with increased attendance, exhibition space, staff, budget and visibility.
But there is another side to the New Museum described by former and current staff members who complain of unhealthy work conditions, low pay, low morale and incidents in which they say they were asked by museum leaders to act unethically.
A former finance director says Ms. Phillips told her to mislead the museums board about a cash shortfall. Art handlers say they were forced to work overnight at times to meet onerous deadlines. A former exhibitions director says that when the museum could not locate a work of art, its top officials suggested just making a copy, without telling the artist.
The best analogy I can come up with, said Derya Kovey, a former registrar at the museum, is a sweatshop.
Many former employees say they would have been happy to build careers there, had the conditions been different.
Zachary Small contributed reporting.
Early Life And Education
Phillips was born in Manhattan, , and grew up in Brooklyn Heights. Her father, , is the former chairman and CEO of . She attended and received her BA in Art History with honors from in 1975. She studied music, art, and art history in Vienna during her junior year and spent time at the and the copying master drawings, there becoming interested in museums. She later entered the PhD program in Art History at the where she studied with , , and , and took courses at Hunter College’s Art History program.
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The Museum Of New Art A New Contemporary Art Space To Open In Historic Downtown Portsmouth
Portsmouth, NHThe Museum of New Art , a 6800 sq. ft. new art space exclusively dedicated to contemporary art, will open its doors to the public on October 23, 2021. The museum, located in the newly restored and renovated 1905 YMCA building, is part of a new cultural hub in historic downtown Portsmouth that also includes Jimmys Jazz and Blues Club, a state-of-the-art music venue. MONA is the newest addition to the art museums corridor between Boston, MA and Portland, ME.
Spanning the entire first floor, with 3 galleries and an atrium featuring a 17-foot ceiling, MONA anchors the landmark building at 135 Congress Street, at the heart of the historic Market Square District in Portsmouth. The steel and glass structure, with 2 story glass windows, was developed by Mike and Peter Labrie and designed by Andrew Sidford Architects of Boston. The Auger Building Company is the General Contractor for the Project.
Featuring three changing exhibitions a year, MONA will focus on presenting new evolutions of contemporary art. The museum aims to support contemporary artists and to engage the community with immersive experiences, art education, and public dialogue about the art of today. The art museum will put a special focus on local artists.
American Revolution And The Early United States
Manhattan was at the heart of the , a series of major battles in the early . The was forced to abandon Manhattan after the on November 16, 1776. The city, greatly damaged by the during the campaign, became the British military and political center of operations in North America for the remainder of the war. The military center for the colonists was established in New Jersey. British occupation lasted until November 25, 1783, when returned to Manhattan, as .
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New Inc Is An Emergent Ecosystem Of Ever
Tracks: In Year 9, running September 2022 – August 2023, each member or small team is invited to join a Track to build intentional communities around common themes and concentrate on relevant opportunities. This year, we will offer five Tracks for members to participate in: Art & Code, Collective Abundance, Creative Science, Extended Realities, and Future Memory. Each Track is assigned a dedicated Mentor-in-Residence, and in some cases we will partner with like-minded foundations, organizations, or companies to offer special programming and opportunities for members.
Community: NEW INC is a safe space for artists, creative practitioners, and entrepreneurs who collectively believe in the equitable* advancement of culture and social change. At NEW INC, we know space for rest, play, and non-transactional conversation are essential. The visions we bring to fruition do not happen in solitude. Our thriving community of creative professionals lean on each other for collaboration, feedback, technical support, references for funding and exhibitions, new opportunities, and friendship. We bridge ideas and exchange across Tracks through an array of purposeful gatherings where members can hang out, share work-in-progress, and participate in pop-up workshops.
*At NEW INC, equitable advancement of culture and social exchange includes a centering of BIPOC voices, transparent sharing of resources, open forum dialogue, and public engagement.
Our program includes, but is not limited to:
The Museum Of Contemporary Art
The Museum of Contemporary Art closed 3 September 2017. The contemporary art collection has started its transition towards the new National Museum.
The new National Museum opens in 2022. The entire museum collection must first be documented, reviewed for conservation and packed before being made available to the public. The new museum will include the first-ever permanent display of contemporary art, extending over a total area of 2 300 m2, in addition to temporary exhibitions. Visitors will be able view contemporary art in completely new contexts, juxtaposed with older art, design and architecture.
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Wealth And Income Disparity
New York City, like other large cities, has a high degree of , as indicated by its of 0.55 as of 2017. In the first quarter of 2014, the average weekly wage in New York County was $2,749, representing the highest total among large counties in the United States. As of 2017, New York City was home to the highest number of of any city in the world at 103, including former . New York also had the highest density of millionaires per capita among major U.S. cities in 2014, at 4.6% of residents. New York City is one of the relatively few American cities levying an on its residents. As of 2018, there were 78,676 in New York City.
Digital Representation Of Collections
Beginning in 2013, the Met organized the Digital Media Department for the purpose of increasing access of the museum’s collections and resources using digital media and expanded website services. The first Chief Digital Officer Sree Sreenivasan from 2013 departed in 2016 and was replaced by Loic Tallon at the time that the department became known by its simplified designation as the Digital Department. At the start of 2017, the department began its Open Access initiative summarized on the Met’s website titled “Digital Underground” stating: “It’s been six months since The Met launched its Open Access initiative, which made available all 375,000+ images of public-domain works in The Met collection under Creative Commons Zero . During what is just the dawn of this new initiative, the responses so far have been incredible.” At that time, more than 375,000 photographic images from the museum’s archival collection were released for public domain reproduction and use both by the general public and by large public access websites such as those available at Google BigQuery.
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Opening July Cost $450m
After the long-awaited reveal last November of Hong Kongs M+ museum, comes the neighbouring Palace Museum, devoted to Chinas imperial treasures on loan from the Forbidden City in Beijing. The museum was announced by the Hong Kong government in December 2016, sparking controversy over the lack of prior public consultation. It is a late addition to the West Kowloon Cultural District, which stretches over 40 hectares of reclaimed land beside Victoria Harbour. The HK$3.5bn capital project is fully funded by the Hong Kong Jockey Club Charities Trust.
Designed by the Hong Kong-based architect Rocco Yim, the building will have nine galleries spanning 7,800 sq. m, as well as a 400-seat theatre, educational spaces and nursery rooms. Around 800 artefacts from the Palace Museum in Beijing will make up the inaugural displays, including paintings, calligraphy, decorative arts objects and rare books. Other galleries will focus on the history of art collecting in Hong Kong and interactive experiences for children. In the first of a series of international partnerships, an exhibition on horses will juxtapose ancient Chinese art with works from the Musée du Louvre in Paris.
An artist’s rendering of the renovated Burrell Collection in Glasgow John McAslan + Partners
Exhibitions And The Triennial
The Museum presents the work of under-recognized artists, and has mounted ambitious surveys of important figures such as Ana Mendieta, William Kentridge, David Wojnarowicz, Paul McCarthy and Andrea Zittel before they received widespread public recognition. In 2003, the New Museum presented the highly regarded exhibition Black President: The Art and Legacy of Fela Anikulapo-Kuti.
Continuing its focus of exhibiting emerging international artists, the museum organized the much discussed and visited exhibition, The Generational: “Younger Than Jesus” curated by Massimiliano Gioni, in 2009 which went on the become the first edition of its now signature exhibition series the “New Museum Triennial”. Subsequently, the museum held the second and third editions of its Triennial, respectively “The Ungovernables” and the much lauded “Surround Audience” .
Promoted twice since joining the New Museum in 2011, Margot Norton has organized exhibitions including one by Turner Prize-winner Laure Prouvost and the museum solo of Judith Bernstein.
The museum has announced a summer show, scheduled to open on July 20, 2016, called “The Keeper”. With over 4,000 objects from more than two dozen collectors, it presents object lessons about the process of collecting.
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Higher Education And Research
More than 600,000 students are enrolled in New York City’s more than 120 higher education institutions, the highest number of any city in the world, with more than half a million in the system alone as of 2020, including both degree and professional programs. According to , New York City has, on average, the best higher education institutions of any .
Much of the in the city is done in medicine and the . New York City has the most postgraduate life sciences degrees awarded annually in the United States, with 127 having roots in local institutions as of 2005 while in 2012, 43,523 licensed physicians were practicing in New York City. Major biomedical research institutions include , Rockefeller University, , , , and , being joined by the / venture on . The graduates of in the Bronx earned the highest average annual salary of any university graduates in the United States, $144,000 as of 2017.
New Museum Of Contemporary Art New York
Ever since 1977, when Marcia Tucker founded the New Museum of Contemporary Art in a nondescript office space, Manhattan’s sole contemporary art museum has had a reputation for presenting edgy work. In December 2007, when the New Museum opened its new location on the Bowery , the structure itself reflected those sharp edges.
Architects Kazuyo Sejima and Ryue Nishizawa of the Tokyo firm SANAA designed the seven above-ground floors as a stack of displaced boxes, each one shifted off-centre from the level immediately below or above. The boxes don’t step back in a consistent Empire State Building sort of way but rather in an irregular sculptural fashion.
New Museum was named as one of the seven wonders by Conde Nast Traveller in 2008.
New Museum of Contemporary Art design
The design decision served partly as a response to a tight zoning envelope. The site measures 71ft across and 112ft deep, and by shifting the boxes to the north, east, south, and west of the building’s central axis, SANAA could fill more space without always extending the structure to the perimeter.
The displacement also allows for skylights on every floor. Delicate, adjustable screens prevent the sunlight from bleaching the art or creating glare. These skylights create a far different atmosphere from the monolithic, dark, and airless environments of many museums. SANAA has said, “We believe buildings should be open and communicative, not bastions.”
New Museum fenestration
New Museum infrastructure and features
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Opening 11 June Cost $670m
Norways new Nasjonalmuseet is mammoth on every level, from its size to its budget. The biggest museum in the Nordic region brings the collections of three major Norwegian institutionsthe National Gallery, the Museum of Contemporary Art and the Museum of Decorative Arts and Designunder one roof. The new building designed by the German architects Kleihues + Schuwerk cost NoK6.1bn and is entirely state-funded.
More than 5,000 works, dating from antiquity to today, will go on show in a permanent collection display of more than 80 rooms and two floors. Important pieces housed at the new museum include Edvard Munchs The Scream a self-portrait painted by Vincent van Gogh at the asylum in Saint-Rémy-de-Provence in 1889 and Harald Sohlbergs Winter Night in the Mountains , which has been voted Norways national painting.
The Light Hall, an illuminated 2,400 sq. m rooftop space for temporary exhibitions, is a stand-out feature of the new building. Its opening show will be dedicated to Norwegian contemporary art, featuring more than 150 artists and artist collectives.
The Nasjonalmuseet is part of the FutureBuilt programme that aims to develop carbon-neutral urban areas in Norway. According to a project statement, the museum has high environmental ambitions and is designed to reduce greenhouse gas emissions by at least 50% while a heat pump utilising sea water will be used for cooling. The entire façade is covered in Norwegian slate.
Thomas J Watson Library
The Thomas J. Watson Library is the central library of The Metropolitan Museum of Art, and supports the activities of staff and researchers. Watson Library’s collection contains approximately 900,000 volumes, including monographs and exhibition catalogs over 11,000 periodical titles and more than 125,000 auction and sale catalogs. The Library includes a reference collection, auction and sale catalogs, a rare book collection, manuscript items, and vertical file collections. The Library is accessible to anyone 18 years of age or older simply by registering online and providing a valid photo ID.
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The Whitney Museum Of American Art
Phillips began her career as a Fellow in the Whitney’s Independent Study Program in 1976 and became a curator in 1982. During her twenty-two-years at the Whitney, she organized over thirty exhibitions, including the notable thematic exhibitions âThe Third Dimension: Sculpture of the New York Schoolâ âHigh Styles: the History of American Designâ âImage World: Art and Media Cultureâ âBeat Culture and the New America, 1950â1965â and âThe American Century Part II: 1950â2000â midcareer surveys of works by , , , and as well as a major retrospective of the work of . Known for championing midcareer and emerging artists, Phillips was also a curator for six Whitney Biennials .
The New Museum Designed By Tokyo
Street Views of the New Museum at 235 Bowery
The New Museum building is intended as a home for contemporary art and an incubator for new ideas, as well as an architectural contribution to New Yorks urban landscape. Sejima and Nishizawa, who received the commission in 2002, have described the building as their response to the history and powerful personalities of both the New Museum and its storied site. The Bowery was very gritty when we first visited it, they have said. We were a bit shocked, but we were also impressed that a fine art museum wanted to be there. In the end, the Bowery and the New Museum have a lot in common. Both have a history of being very accepting, open, embracing of every idiosyncrasy in an unprejudiced manner. When we learned about the history of the New Museum we were flabbergasted by its attitude, which is very political, very focused on new ideas, fearless. The New Museum is a combination of elegant and urban. We were determined to make a building that felt like that. Amidst a cluster of relatively small and mid-sized buildings of varying types and uses, the New Museum rises 175 feet above street level. As visitors approach on the Bowery or from the west along Prince Street, they encounter the building as a dramatic stack of seven rectangular boxes.
The New Museum at 235 Bowery under construction
Views of the Lobby and Fourth Floor
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