Opening July Cost $450m
After the long-awaited reveal last November of Hong Kongs M+ museum, comes the neighbouring Palace Museum, devoted to Chinas imperial treasures on loan from the Forbidden City in Beijing. The museum was announced by the Hong Kong government in December 2016, sparking controversy over the lack of prior public consultation. It is a late addition to the West Kowloon Cultural District, which stretches over 40 hectares of reclaimed land beside Victoria Harbour. The HK$3.5bn capital project is fully funded by the Hong Kong Jockey Club Charities Trust.
Designed by the Hong Kong-based architect Rocco Yim, the building will have nine galleries spanning 7,800 sq. m, as well as a 400-seat theatre, educational spaces and nursery rooms. Around 800 artefacts from the Palace Museum in Beijing will make up the inaugural displays, including paintings, calligraphy, decorative arts objects and rare books. Other galleries will focus on the history of art collecting in Hong Kong and interactive experiences for children. In the first of a series of international partnerships, an exhibition on horses will juxtapose ancient Chinese art with works from the Musée du Louvre in Paris.
An artist’s rendering of the renovated Burrell Collection in Glasgow John McAslan + Partners
Moca At The Pacific Design Center
From 2000 until 2019, MOCA maintained a 3,000 sq ft exhibition space at the Pacific Design Center in West Hollywood to present new work by emerging and established artists as well as ancillary programs based upon its major exhibitions and renowned permanent collection. A focus was on design and architecture. The museum exhibited work by Takashi Murakami, Sterling Ruby, Catherine Opie and William Kentridge there, as well as by designers Rick Owens and Rodarte. MOCA also utilized the 384-seat PDC auditorium for a range of public programs.
Opening March Cost 68m
Home to 9,000 works of art donated to the city of Glasgow by the shipping magnate William Burrell, the Burrell Collection will reopen in spring after more than five years of closure. Its namesake amassed a collection rich in Medieval and early Renaissance art from northern Europe, with stained glass, armour and more than 200 tapestries Chinese ceramics, bronzes and jade and 19th-century French art, including pastels, drawings and oils by Edgar Degas. The museum, set within the woodlands and gardens of Pollok Country Park, was opened by Queen Elizabeth II in 1983.
The architects John McAslan + Partners have led a major refurbishment of the listed 1970s building, creating 35% more gallery space and adding a new entrance and learning centre. The revamped building is also more environmentally sustainable, following repairs to the chronically leaking roof and the installation of new heating, ventilation and lighting systems. A full redisplay of Burrells collection promises works that have not been seen in decades and immersive, family-friendly exhibits designed to appeal to the under-fives.
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New Museum Of Modern Artrebecca Lane
When I visited the newly renovated Museum of Modern Art in New York for the first time since its reopening last June, I arrived with the excitement of revisiting old friends. Trips to the temporary MoMA Queens had invariably rung hollow, especially after becoming attached to the collection in its old midtown home. The reinstallation of the collections highlights in Long Island City felt makeshift and forced despite the confident claims to freshness of display that were promoted by both the museum and the press. On some level, I hoped that with the museums reopening it would return to the same old Modern I had so briefly come to know when I commenced graduate studies in New York only months prior to its 2001 closure.
I wanted it to resonate Modern, the last line of defence along a historical border that had already become more than fluidterribly unfashionable, but that was precisely the point, for me anyway. It was only during my second visit this June that I realized why the museums initial closure had felt like such an overwhelming loss, for only now have the reasons begun to appear in sharp, albeit negative relief.
Notes
New Museum Of Contemporary Art Film
Extension, SoHo, ManhattanDesign: SANAA architects, Tokyo Kazuyo Sejima & Ryue Nishizawa
Address: 235 Bowery, New York, NY 10002, United States
Phone: +1 212-219-1222
Here is the fourth episode of Great Spaces covering the New Museum:
Can a building ever be compared to Lady Gaga? Most experts may say no, but they obviously havent seen the New Museum, one of the best looking museums ever made according to Delaine Isaac.
The New Museum, founded as the New Museum of Contemporary Art by Marcia Tucker in 1977, is the only museum in New York City exclusively devoted to presenting contemporary art from around the world. On December 1, 2007, the New Museum opened its first freestanding, dedicated building at 235 Bowery.
New Museum of Contemporary Art images from SANAA architects 301107
The building, designed by Kazuyo Sejima and Ryue Nishizawa/SANAA with Gensler, New York, serving as executive Architect, is expressed as a series of six asymmetrically stacked aluminum-clad rectilinear boxes shifted off-axis around a central steel core. Sejima + Nishizawas inspiration came from the traditional set-backs exhibited by some of the citys earlier skyscrapers.
The facade is shrouded in 3,270 square meters of expanded aluminum, originally developed in the United Kingdom as a means of reinforcing roads. It was the first time this medium has been employed in the United States. The basement of the New Museum features a 188-seat theater.
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Teens Of Contemporary Art
Teens of Contemporary Art is an open gathering of high school students interested in learning more about contemporary art with their peers. The group meets each month for exhibition explorations, art workshops, discussions about contemporary art, and events planning. An advisory council of teens identifies the topics and issues addressed at the monthly sessions. All TOCA participants get free admission to the museum.
TOCA events are the second Sunday of every month.
Exhibitions And The Triennial
The Museum presents the work of under-recognized artists, and has mounted ambitious surveys of important figures such as Ana Mendieta, William Kentridge, David Wojnarowicz, Paul McCarthy and Andrea Zittel before they received widespread public recognition. In 2003, the New Museum presented the highly regarded exhibition Black President: The Art and Legacy of Fela Anikulapo-Kuti.
Continuing its focus of exhibiting emerging international artists, the museum organized the much discussed and visited exhibition, The Generational: “Younger Than Jesus” curated by Massimiliano Gioni, in 2009 which went on the become the first edition of its now signature exhibition series the “New Museum Triennial”. Subsequently, the museum held the second and third editions of its Triennial, respectively “The Ungovernables” and the much lauded “Surround Audience” .
Promoted twice since joining the New Museum in 2011, Margot Norton has organized exhibitions including one by Turner Prize-winner Laure Prouvost and the museum solo of Judith Bernstein.
The museum has announced a summer show, scheduled to open on July 20, 2016, called “The Keeper”. With over 4,000 objects from more than two dozen collectors, it presents object lessons about the process of collecting.
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Opening 11 June Cost $670m
Norways new Nasjonalmuseet is mammoth on every level, from its size to its budget. The biggest museum in the Nordic region brings the collections of three major Norwegian institutionsthe National Gallery, the Museum of Contemporary Art and the Museum of Decorative Arts and Designunder one roof. The new building designed by the German architects Kleihues + Schuwerk cost NoK6.1bn and is entirely state-funded.
More than 5,000 works, dating from antiquity to today, will go on show in a permanent collection display of more than 80 rooms and two floors. Important pieces housed at the new museum include Edvard Munchs The Scream a self-portrait painted by Vincent van Gogh at the asylum in Saint-Rémy-de-Provence in 1889 and Harald Sohlbergs Winter Night in the Mountains , which has been voted Norways national painting.
The Light Hall, an illuminated 2,400 sq. m rooftop space for temporary exhibitions, is a stand-out feature of the new building. Its opening show will be dedicated to Norwegian contemporary art, featuring more than 150 artists and artist collectives.
The Nasjonalmuseet is part of the FutureBuilt programme that aims to develop carbon-neutral urban areas in Norway. According to a project statement, the museum has high environmental ambitions and is designed to reduce greenhouse gas emissions by at least 50% while a heat pump utilising sea water will be used for cooling. The entire façade is covered in Norwegian slate.
Houston Sie Haben Ein Problem
Nina and Michael Zilkha GalleryOn View: April 1August 28, 2022
Austrian artists Paul Renner and Richard Hoecks new exhibition, HOUSTON, SIE HABEN EIN PROBLEM!, presents art objects, nose-to-tail cooking, and a temporary social club. Together, they exclaim Houston, You Have a Problem!both needling and raising a glass to our belovedly sprawling and unexpected city. Encompassing unconventional ideas about food, humor, performance art, and the social potential inherent in coming together for a meal, their work offers intimate and joyous experiences of art, eating, and community. This will be the first major solo presentation of the artists work in an American institution. In this strangely post-pandemic, yet perhaps mid-endemic moment, CAMH welcomes you to join us physically and metaphysically to directly engage the myriad ways artists can awaken the public, reinvigorate our social relations, and craft new futures for cultural institutions.
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Museum Of Contemporary Art Los Angeles
| www.moca.org |
The Museum of Contemporary Art, Los Angeles is a contemporary art museum with two locations in greater Los Angeles, California. The main branch is located on Grand Avenue in Downtown Los Angeles, near the Walt Disney Concert Hall. MOCA’s original space, initially intended as a “temporary” exhibit space while the main facility was built, is now known as the Geffen Contemporary, in the Little Tokyo district of downtown Los Angeles. Between 2000 and 2019, it operated a satellite facility at the Pacific Design Center facility in West Hollywood.
The museum’s exhibits consist primarily of American and European contemporary art created after 1940. Since the museum’s inception, MOCA’s programming has been defined by its multi-disciplinary approach to contemporary art.
Faith Ringgold Retrospective At The New Museum
, February 2022
From February 17 to June 5, 2022, the New Museum presents Faith Ringgolds first retrospective in New York. An artist, author, educator, and organizer, Ringolds artistic practice has been intrinsically tied to her activism throughout the civil rights movement and on. Fifty years of works are spread across three floors of the New Museum, from paintings to soft sculptures to her famed quilt works. Below are some highlights.
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New Museum Of Contemporary Art New York
Ever since 1977, when Marcia Tucker founded the New Museum of Contemporary Art in a nondescript office space, Manhattan’s sole contemporary art museum has had a reputation for presenting edgy work. In December 2007, when the New Museum opened its new location on the Bowery , the structure itself reflected those sharp edges.
Architects Kazuyo Sejima and Ryue Nishizawa of the Tokyo firm SANAA designed the seven above-ground floors as a stack of displaced boxes, each one shifted off-centre from the level immediately below or above. The boxes don’t step back in a consistent Empire State Building sort of way but rather in an irregular sculptural fashion.
New Museum was named as one of the seven wonders by Conde Nast Traveller in 2008.
New Museum of Contemporary Art design
The design decision served partly as a response to a tight zoning envelope. The site measures 71ft across and 112ft deep, and by shifting the boxes to the north, east, south, and west of the building’s central axis, SANAA could fill more space without always extending the structure to the perimeter.
The displacement also allows for skylights on every floor. Delicate, adjustable screens prevent the sunlight from bleaching the art or creating glare. These skylights create a far different atmosphere from the monolithic, dark, and airless environments of many museums. SANAA has said, “We believe buildings should be open and communicative, not bastions.”
New Museum fenestration
New Museum infrastructure and features
Introducing The Light Hall
- With its 2 400 square metres, the Light Hall will be a spectacular exhibition venue, the first of its kind in Norway.
- 9 000 energy-efficient, adjustable LED lights within the wall will provide a muted light while clearly highlighting the museum in the cityscape.
- The Light Hall will be used for the museum’s temporary exhibitions.
- With a ceiling height of approximately seven metres and a length of 130 metres, the hall will be able to accommodate exhibitions on a scale not previously feasible in Norway.
- Depending on requirements, the Light Hall can be used as a single large exhibition space, or two or three smaller ones. Exhibitions can use the full height of the space. Specially designed installations can be included to fill the entire hall or parts of it. It will be possible to reconstruct houses and even streets.
- If required, the Light Hall can be completely darkened.
- The very first exhibition in the Light Hall will be a . In this exhibition, the hall will be filled with new Norwegian contemporary art, selected following a comprehensive mapping effort across the country.
- The exterior walls of the Light Hall are made of marble glass, a thin layer of marble between two panes of glass. The marble glass was chosen to give the facade a distinctive character and will have the same translucent effect as alabaster.
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Vaccination Policy For Visitors
MOCA currently requires proof of vaccination against COVID-19 or valid medical exemption for all visitors 12 years old and older upon entry to the Museum. Visitors 11 years old and younger must be accompanied by a fully vaccinated adult. Please find additional information about the proof of COVID-19 vaccination on the Government of Ontario website.
All visitors will be required to wear a face mask and practice physical distancing at the Museum, while self-screening before your visit.
The New Museum Is World Class But Many Find It A Tough Place To Work
Critics acknowledge the success the New Museum in New York has achieved. But they say it has come at the expense of many people who work there.
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Considered one of the finest small museums in America, the New Museum is routinely acclaimed for its exhibitions of contemporary art under the stewardship of its longtime director, Lisa Phillips.
At the helm for 21 years, Ms. Phillips has earned the admiration of her peers by growing the institution from a scrappy operation into an influential cultural force with increased attendance, exhibition space, staff, budget and visibility.
But there is another side to the New Museum described by former and current staff members who complain of unhealthy work conditions, low pay, low morale and incidents in which they say they were asked by museum leaders to act unethically.
A former finance director says Ms. Phillips told her to mislead the museums board about a cash shortfall. Art handlers say they were forced to work overnight at times to meet onerous deadlines. A former exhibitions director says that when the museum could not locate a work of art, its top officials suggested just making a copy, without telling the artist.
The best analogy I can come up with, said Derya Kovey, a former registrar at the museum, is a sweatshop.
Many former employees say they would have been happy to build careers there, had the conditions been different.
Zachary Small contributed reporting.
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The New Museum Of Contemporary Art
Auto BLDG. Today. 158 Sterling Road. Photo: Arash Moallemi
The Museum of Contemporary Art158 Sterling Avenue, Toronto
This new museum in Toronto wouldnt just be a new building but also a fresh approach to the functions of museums as explained by their new CEO and Director, Chantal Pontbriand. The Museum of Contemporary Art in Toronto will be an engaging and welcoming institution where the art will mirror social and artistic issues and encourage a dialogue. There will be areas for artists to meet and workshop ideas, performance rehearsal spaces, exhibition rooms, cafes, administration offices, resource centres and much more spread over 5 floors and 55,000 sq. ft. The first phase scheduled for opening in May, 2017. Phase two will be open in 2020 with another 75,000 sq. ft. on the adjacent site and this building will hold expanded performance areas and space for resident artists.
Auto BLDG. Today. 158 Sterling Road. Photo: Leo Burnett Toronto
Alfredo Romano, President, Castlepoint Numa, and Chantal Pontbriand, CEO and Director, Museum of Contemporary Art_Toronto_Canada. Photo: George Whiteside
Auto BLDG. Today. 158 Sterling Road. Photo: Arash Moallemi
Chantal Pontbriand, CEO and Director, Museum of Contemporary Art_Toronto_Canada. Photo: George Whiteside
David Liss, Curator Advisor, Museum of Contemporary Art_Toronto_Canada. Photo: George Whiteside
Phil Anderson
New Museum Of Contemporary Art
The New Museum of Contemporary Art, founded in 1977, is the premier contemporary art museum in New York City and among the most important internationally. The Museum exhibits innovative contemporary art from around the world, and offers public programs, a unique bookstore, and an extensive web site.
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