Early Life & Education
Reimann was born in Minneapolis, MN, to Hobart Reimann and Dorothy Sampson. He attended Yale College, graduating in 1957, and joined Yale Graduate School of Design, headed during that period by Josef Albers, for his MFA. In the spring of 1959, his work was selected for the MOMA Exhibition, Recent Sculpture USA. The exhibition toured the United States during the summer of 1959, with stops at the Denver Museum of Fine Arts, the Los Angeles County Museum, the City Art Museum of St. Louis, and the Boston Museum of Fine Arts.
Where Is The Whitney Museum Of American Art
Cobblestone streets, boutiques, chic bars, and expensive restaurants all come together within the popular Meatpacking District. At the center of this district is the High Line. With over a mile of beautiful views of the Hudson, this is one of the most popular tourist attractions in the city. With flowers, shrubs and trees are growing, the High Line is a garden for New Yorkers. And right at the South end where the High Line begins, on Gansevoort Street, is where the Whitney Museum is.
Whitney Museum Of American Art
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COVID-19 updates
“When you visit the Whitney, you’ll see a number of enhanced precautions in place for your health and well-being. Advance ticketing is required: book timed tickets today and prepare for your trip at whitney.org. Be among the first to join us for our reopening and enjoy pay”
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Ask the Community
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What’s the best time of day to visit?
I usually try to go close to opening or closing time because the crowds are less. When the weather is nice I go closer to closing time and head to the Standard Hotel Rooftop Bar for a cocktail and beautiful sunset views.
Kim A.
99 Gansevoort St New York, NY 10014
Frequently Asked Questions about Whitney Museum of American Art
How is Whitney Museum of American Art rated?
Whitney Museum of American Art has 4 stars.
What days are Whitney Museum of American Art open?
Whitney Museum of American Art is open Mon, Wed, Thu, Fri, Sat, Sun.
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Weekender: Check Out De Forest Diego Rivera In San Franciscoyour Browser Indicates If You’ve Visited This Link
Featuring an early painting, a rare construction from the 1960s, and works on paper, the exhibition at … to the Fort Worth Art Museum, the Glenbow-Alberta Art Gallery, Calgary, Alberta, the WhitneyMuseum of American Art, New York, and the Utah Museum …
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Live Music And Events
The Whitney maintains a longstanding commitment to the performing arts, having first featured live music in its galleries in the 1960s.
Today, Whitney Live highlights the intersection of performance and installation, allowing visitors to browse galleries while enjoying the sounds of various live acts, ranging from acoustic to jazz. The museum also features unique performance art exhibitions, many of which utilize choreography, vocal props, and more to provide social commentary.
To learn more about the Whitney Museum of American Art as well as its exhibitions and events, visit the museums website. Explore some of the museum’s artwork in the gallery below.
All photos by Ron Amstutz, courtesy of www.whitney.org.
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Dawoud Bey: An American Projectapr 17oct 3 2021
Since the mid-1970s, Dawoud Bey has worked to expand upon what photography can and should be. Insisting that it is an ethical practice requiring collaboration with his subjects, he creates poignant meditations on visibility, power, and race. Bey chronicles communities and histories that have been largely underrepresented or even unseen, and his work lends renewed urgency to an enduring conversation about what it means to represent America with a camera.
Spanning from his earliest street portraits in Harlem to his most recent series imagining an escape from slavery on the Underground Railroad, Dawoud Bey: An American Project attests to the artists profound engagement with the Black subject. He is deeply committed to the craft of photography, drawing on the medium’s specific tools, processes, and materials to amplify the formal, aesthetic, and conceptual goals of each body of work. Bey views photography not only as a form of personal expression but as an act of political responsibility, emphasizing the necessary and ongoing work of artists and institutions to break down obstacles to access, convene communities, and open dialogues.
Dawoud Bey: An American Project is co-organized by the Whitney Museum of American Art and the San Francisco Museum of Modern Art. The exhibition is co-curated by Elisabeth Sherman, Assistant Curator at the Whitney, and Corey Keller, Curator of Photography at SFMOMA.
In New York, the exhibition is sponsored by
Jennifer Packer: The Eye Is Not Satisfied With Seeingoct 30 2021apr 17 2022
Jennifer Packer, The Body Has Memory, 2018. Oil on canvas, 60 × 48 in. . Whitney Museum of American Art, New York promised gift of Miyoung Lee and Neil Simpkins. © Jennifer Packer. Photograph by Jason Wyche. Image courtesy Sikkema Jenkins & Co., New York, and Corvi-Mora, London
Jennifer Packers paintings and drawings combine observation, memory, and improvisation. Featuring over thirty works from the past decade, The Eye Is Not Satisfied With Seeing is the largest survey of Packers practice to date. Her intimate renderings of friends, family, and flowers evoke the art historical genres of portraiture and still life, while also highlighting the politics of representation.
Her paintings, most recently seen at the Whitney in the 2019 Biennial, slide between the fidelity of depiction and the freedom of abstraction. This avowal of both clarity and opacity endows her paintings with the same complexity she sees in the Black sitters that populate her artand the world. My inclination to paint, Packer has said, especially from life, is a completely political one. We belong here. We deserve to be seen and acknowledged in real time. We deserve to be heard and to be imaged with shameless generosity and accuracy.
The lead sponsor for Jennifer Packer: The Eye Is Not Satisfied with Seeing is the Jerome L. Greene Foundation.
This exhibition is also sponsored by
Generous support is provided by Judy Hart Angelo.
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Review: Hlio Oiticica: To Organize Delirium
Museums seldom encourage substance abuse, but the Whitneys terrific show of Hélio Oiticica comes close. This retrospective devotes much of its real estate to the space-filling, immersive installations that are the Brazilian artists most impressive achievements, along with the work he produced in 70s New York in which he obsessed over sex, drugs and rock & roll. Perhaps his greatest American creation, 1973s CC5 Hendrix-War, features hammocks strung across a room where Jimi Hendrixs War Heroes plays on speakers and a slide show projects images of the album cover adorned with lines of cocaine on the ceilings and walls. Never realized during his lifetimethe museum reconstructed it using his written instructions and 35-millimeter slidesCC5 Hendrix-War is a time-traveling treat that lets you sway in a hammock while watching a vintage son et lumière. Photograph: Ron Amstutz Oiticica began as a modernist in his native Rio de Janeiro. At the end of the 1950s, he joined the Neo-Concrete Group along with Lygia Pape and Lygia Clark, fellow artists interested in expanding abstraction into everyday life. By 1960 he had built PN1 Penetrable, a structure composed of wooden panels in shades of mustard and burnt orange that reenvisions monochrome painting as a walk-in closet by inviting spectators to enter the piece.Photograph: Ron AmstutzIn the late 1960s, Oiticica began creating expansive environmental installations. Tropicália and Ed
The Museum Of Modern Art
The main branch of the MoMA is located at 11 West 53rd Street, in Midtown Manhattan. Its south of Central Park, right near the bustling neighborhood of Times Square. Its very close to other popular attractions like the Top of the Rock, Radio City Music Hall, Madame Tussauds, and the exhibits at Discovery Times Square.
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Joseph E Yoakum: What I Saw
MoMA, opens November 28
I love the wobbly, wonky, almost shamanic landscapes of the self-taught artist Joseph E. Yoakum , which seem to teeter on the edge of psilocybin dreams. That he started making art out of nowhere at the age of 71 only makes his work more magical and an inspiration to late bloomers everywhere. He depicted his wide travels and said, Wherever my mind led me, I would go Ive been all over this world four times. Witness the world as never quite seen before. Or since.
The Next Biennial Should Be Curated By A Machine
The Next Biennial Should be Curated by a Machine, Experiment 1: Technical flow diagram, Leonardo Impett, 2020
The Next Biennial Should be Curated by a Machine is an online project developed by artists UBERMORGEN with digital humanist, Leonardo Impett, and curator, Joasia Krysa, to speculate on the future of curating in light of developments in Artificial Intelligence. Co-commissioned by the Whitney Museum of American Art and Liverpool Biennial with support from Liverpool John Moores University, The Next Biennial Should be Curated by a Machine is accessible through the websites of Liverpool Biennial and the Whitney Museum.
The work features an AI entity based on machine learning technology and reimagines the curation of a biennial as an intelligent self-learning system capable of curating otherwise. The project includes vast amounts of curatorial data from Liverpool Biennial and the Whitney Museum of American Arts Biennials and exhibitions past and present, processing it from linguistic and semiotic perspectives and producing alternative versions. The Next Biennial Should be Curated by a Machine raises questions about how curatorial practices and technology are shaping one another.
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The Metropolitan Museum Of Art Vs The Museum Of Modern Art
New York City is home to some of the greatest art museums in the entire world. Period. But if you only have time and space in your NYC vacation to visit one, how do you choose between the two biggies the Metropolitan Museum of Art vs the Museum of Modern Art? To help you compare these two prestigious art museums, weve put together a post that showcases their similarities and differences in the following areas:
- Whats Included with General Admission
- Location
- Tips for Visiting
Inside The Dual Jasper Johns Exhibits In Nyc And Philadelphia
At 91, Jasper Johns, the widely revered and famously private American artist who was an impoverished unknown until he became an overnight art-star sensation at age 27 with his debut solo show at the Leo Castelli gallery, will be honored this month with an unprecedented dual retrospective opening in both New York and Philadelphia.
Jasper Johns: Mind/Mirror will showcase more than 500 works dating from 1954 to the present a panoramic body of work that ranges from painting, sculpture, and drawing to prints, books, costumes, and even theater sets.
Both exhibitions have been designed as a series of curated rooms akin to twin mini-mansions, each having ten chambers with names like Real Things as Paintings, Doubles & Reflections, and Disappearance & Negation.
The rooms tell you the story, and for every room in one place, theres a room in the other, says Carlos Basualdo, the Keith L. and Katherine Sachs senior curator of contemporary art at the Philadelphia Museum of Art. For example, he explains: Philadelphia shows Johnss number paintings, and drawings, and the Whitney shows flags and maps. We have chosen works that are mostly predicated on darkness, while everything at the Whitney is much more surreal.
FlagUntitled
Basualdo and Rothkopf have had plenty of opportunity to interact with Johns at his 170-acre estate in Connecticut. The artist is a famously enigmatic and supposedly prickly and hermetic figure, at least in some media accounts.
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The Whitney Museum In Nyc
The Whitney Museum consists of 50,000 square feet of indoor galleries and 13,000 square feet of outdoor exhibit space as well as approximately 18,000 square feet for special exhibitions. The Whitney Museum is the largest column-free museum gallery in New York City! The museum also consists of state-of-the-art- classrooms, a black box theater for film, video and performance rooms with an outdoor gallery, a 170 seat theater with views of Hudson River, and a Library Reading Room. These are all firsts for The Whitney Museum!
What We Learned This Week: David E Little To Head Icpyour Browser Indicates If You’ve Visited This Link
David E. Little, who for the past six years has helmed the Mead Art Museum at Amherst College in Massachusetts, has been named the ICP’s new director. He replaces Mark Lubell, who served as ICP’s executive director since 2013 before announcing his intention to depart earlier this year,
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Dave Mckenzie: The Story I Tell Myself
Opens May 1, 2021 May 1June 13, 2021
Dave McKenzie, All the Kings horses . . . none of his men, 2013. Performance at Third Streaming, New York. Courtesy the artist and Third Streaming. Photograph by Whitney Browne
Dave McKenzie draws inspiration for his new Whitney commission, Disturbing the View, from the entrepreneurial window washers common in many American cities. McKenzie choreographs a circuitous path around the Museum using the buildings facade as a canvas and obscuring individual windows. As he progresses the artist inserts himself into the Museums daily rhythms, at times visible or hidden from sight, momentarily disrupting the view and prompting observers to consider essential labor that is often invisible. Performance dates to be announced.
This performance is accompanied by Dave McKenzie: The Story I Tell Myself, a focused presentation on the Museums third floor in which McKenzies performances for the camera and documentation of live art are contextualized alongside works by artists who have informed the concepts, gestures, and sensibilities in his art. Together the performance commission and exhibition span twenty years of McKenzies creative output, illuminating both the seriousness of play in his artmaking and how he engages with and questions ideas, images, and language using his principal toolhis own body.
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World War I And Its Aftermath
During , Gertrude Whitney dedicated a great deal of her time and money to various relief efforts, establishing and maintaining a fully operational hospital for wounded soldiers in , about 35 kilometres northwest of Paris in France.
While at this hospital, Gertrude Whitney made drawings of the soldiers which became plans for her memorials in New York City. Her work prior to the war had a much less realistic style, which she strayed away from to give the work a more serious feeling. In 1915, her brother perished in the sinking of the .
She completed a series of smaller pieces realistically depicting soldiers in wartime, but her smaller works were not seen as particularly significant during her lifetime. Since her death critics have recognized the expert craftsmanship of her smaller works.
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In addition to participating in shows with other artists, Whitney held a number of solo exhibitions during her career. These included a show of her wartime sculptures at her Eighth Street Studio in November 1919 a show at the , March 1 to April 15, 1923 and one in New York City, March 1728, 1936. The majority of works created in this period of her work were made in her studio in Paris. The held a commemorative show of her works in 1943.
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Review: David Wojnarowicz At The Whitney Museum
David Wojnarowicz is usually remembered as a firebrand, raging in his incendiary art and writings against the hypocrisy and cruelty of American society. He was especially vituperative towards the homophobia and malignant neglect that precipitated the AIDS crisis in the late 1980s, which decimated gay men and the downtown New York art world, and killed the artist himself in 1992 at 37. But this beautifully curated retrospective does more than just give us the raw power of his jeremiads: It balances them with the romantic, poetic and visionary side of his work that is too often forgotten. David Wojnarowicz, Arthur Rimbaud in New York, 197879,Photograph: Courtesy the Estate of David Wojnarowicz and P.P.O.W., New York. Wojnarowicz grew up suffering abuse in a broken home and survived his teenage years as a homeless sex worker. Keenly attuned to callousness and injustice, he made himself the measure of all things in his art. In an early series of photographs, Arthur Rimbaud in New York , Wojnarowicz took black-and-white photos of various friends wearing a photocopied mask of the French Symbolist poet Arthur Rimbaud as they went about their businessriding the subway, eating at a diner, shooting up, masturbating in bedmaking it appear as if Rimbaud himself was living a wastrel life in the city. Though Wojnarowicz never wore the mask
Jasper Johns Double Retrospective Opening At The Whitney And Philadelphia Museum Of Art
The Whitney Museum of American Art and the Philadelphia Museum of Art will showcase a joint retrospective on the legendary American artist, Jasper Johns. Having first come onto the scene in the 1950s, a decade marked by the dominance of Abstract Expressionism, Johns did not discard representation like his contemporaries, but rather subverted everyday signs and symbols through an encaustic technique that blends pigment and melted wax. His seminal American Flag painting served as a precursor to Pop Art and Minimalism and would usher in a seven-decade career that continues to this day.
In Jasper Johns: Mind/Mirror, curators at both institutions carry out a 65-year survey of the artists work across paintings, prints, drawings and sculpture offering an in-depth look at how Johns would shape contemporary art in the second half of the 20th Century. The exhibition is the largest retrospective in the artists career and features 500 works, many of which have rarely been seen by the public.
Jasper Johns: Mind/Mirror will open on September 29 and view until February 13.
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