The 8 Best Museums In Fort Worth
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Fort Worth might not strike first-time visitors as a “museum city,” but they’d be mistaken. Cowtown is home to genuinely world-class art museums , unique history museums that tell the stories of the American West, and options for science and nature lovers too. An added perk: most of the city’s most significant museums are centered around the Cultural District, making it easy to spend a single dayor two, or threeexploring.
Elements Of Designpavilions That Seem To Float On The Water Cond Nast Traveller
Massive planar walls of architectural concrete boldly express the Modern’s basic structure while protecting the collection within. Forty-foot-high transparent walls of glass framed in metal surround the concrete envelope, providing magnificent public circulation areas from which to view the surrounding building, the large reflecting pond, outdoor sculpture, and the landscaped grounds. The desire to use diffused and reflected natural light within the gallery spaces was a major influence on the building’s design. Immense cantilevered cast-concrete roofs shade the building’s exterior and accommodate the introduction of natural light into the gallery spaces by supporting sophisticated systems of continuous linear skylights and clerestory windows. Supporting the concrete roof slabs are five forty-foot-tall concrete Y-shaped columns. By day, the Modern’s setting on eleven naturally landscaped acresincluding an outdoor sculpture garden and terrace and a large reflecting pond at the building’s edgeprovides a restful complement to the building’s architectural strength. By night, with the concrete walls bathed in an even glow of light, the transparent glass-and-steel galleries appear as large lanterns floating on and reflected in the pond.
Fall Preview: The Most Promising Museum Shows And Biennials Around The World
Women Painting Women, which opens on May 15, presents the work of 46 female and femme-identifying portraitists whose work has been divided into four main themes: The Body,Nature Personified,Color as Portrait, and Selfhood. Included are artists like Neel, Jenny Saville, Sylvia Sleigh, and Lisa Yuskavage.
In preparation for the show, Karnes focused on her attention on the concept of the male gaze, which was notably put forward in Laura Mulveys 1975 essay Visual Pleasure and Narrative Cinema. Rereading that essay, Karnes was struckperhaps naively, she saidby the implicit whiteness of the female gaze that Mulvey and others were arguing for.
The inclusion of women of color in the show meant opening up the idea of what the female gaze is or could be, said Karnes. To show as much, shes included works by Amy Sherald, Mickalene Thomas, Arpita Singh, and others.
Asked if there was an overarching female gaze guiding the art in Women Painting Women, Karnes said, If I were to boil it down, I would say that women play with the notion of the archetype more than male artists. There are women who work within the tropes of the sexy female and there are women who work completely against that but in some way all of them are commenting on the archetypal notion of female.
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The Art Galleries At Tcu
The Art Galleries at TCU are pleased to welcome audiences for in-person visits to exhibitions and artists events. All visitors must wear a mask indoors while on campus. TCUs public health initiative continues to protect the health and well-being of our community. For more information and campus-wide updates from TCU please visit: www.tcu.edu/coronavirus
Highlights to look forward to in the Galleries in the Spring 2022 semester include:
- Persona, a presentation of work by artists Richie Budd, Kris Pierce, and John Rasimus.
Check out all of our Upcoming Events to see everything happening in the Galleries in the Spring. You can also follow us on social media for regular updates.
To revisit recent exhibitions and events, please use the accordion tabs below.
The Art Galleries at TCU are pleased to present Persona, three solo exhibitions featuring the work of Richie Budd, Kris Pierce and John Rasimus. The exhibitions run February 25 April 30, 2022 at Fort Worth Contemporary Art and opens with a reception for the artists on Friday, February 25, 6-8pm. Budd and Rasimus will present artist talks in the gallery on Saturday, February 26, at 2pm. Pierce will present an artist talk in the gallery on Saturday, March 26, at 2pm. Additional live programming to be confirmed soon.
With Pleasure, 2022 MFA Candidacy Exhibition
One And One by Zeke Williams, Spring 2022 Exhibition
Named One Of The World’s Most Beautiful Art Museums By Travel + Leisure Magazine
The Modern Art Museum of Fort Worth’s building was designed by the Japanese architect Tadao Ando. The Modern is located in Fort Worth’s celebrated Cultural District, directly opposite the Kimbell Art Museum, designed by Louis I. Kahn, and near the Amon Carter Museum, designed by Philip Johnson. Ando’s design, which embodies the pure, unadorned elements of a modern work of art, is comprised of five long, flat-roofed pavilions situated on a 1.5 acre pond.
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What You Can Expect
The Modern Art Museum of Fort Worth is a leader in collecting, showing, and interpreting artfromthe 1940sto the present. Situated inthe heart of theCultural District, thecreativecenter of thecity, theModernhas been housed since 2002 in an elegant concrete, glass, and steelbuildingdesigned by the renownedJapanesearchitectTadaoAndo. In addition to 53,000 square feet of soaring, light-filled gallery space and landscaped groundswith outdoor sculptures, the museum features a reflecting pond,theater, education center, gift shop, andcafé, creating a thrivinghubforourcommunityand beyond.
Founded in 1892, the Modern is the oldest museum in Texas however,our mission haschangedover the years. Today,we striveto connect audiencesof all ages and backgroundswiththe most compelling art and ideas of our time.Showcasing the work of historically significant, mid-career,and emerging artists, the Modern isknownforitsevolving collection,which is international in scope. The Museumsholdings include influential artists from Pablo Picasso, Philip Guston, Anselm Kiefer, Martin Puryear, and Agnes Martin to Mark Bradford, Teresita Fernández, Njideka Akunyili Crosby, and Kehinde Wiley. We have a long history of close relationships with the living artists we show and collect,many of whomvisit the museumregularlyto give talks and lead workshops.
Amon Carter Museum Of American Art
Located in the Cultural District, the Amon Carter Museum of American Art has a vast collection of art created by North American artists, primarily from the 1820s through the 1940s. Ranging from paintings to sculpture to photography and works on the paper, the collection at the Amon Carter is especially strong in art featuring the Old West. The museum owns more than 400 works by Frederic Remington and Charles Russell, two of the foremost Western illustrators. Additionally, the Amon Carter has one of the country’s most robust photography collections, housing more than 350,000 images.
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Modern Art Museum Of Fort Worth Presents Women Directing Women
In conjunction with the Moderns exhibition “Women Painting Women,” this series presents landmark films from acclaimed women directors, all featuring a unique creative vision and tour de force performances from actresses in the leading roles.
Screening schedule
- July 16: Daughters of the Dust
- July 23:
- July 30: The Tango Lesson and Orlando
Landmark Exhibition Enters Final Weeks At Kimbell Art Museum
With July at hand, the Kimbell Art Museums landmark exhibition The Language of Beauty in African Art is entering its final weeks on view. Visitors have until July 31 to see the first exhibition of African art at the Kimbell in more than 25 years, and the museum is offering free admission on selected days in conjunction with special events and programs throughout the month.
The Language of Beauty in African Art features an array of sculptures, masks and prestige objects representing 56 diverse cultures from West, Central and southern Africa. The exhibition includes more than 200 objects installed throughout the Renzo Piano Pavilion.
The Language of Beauty in African Art is arguably the most important exhibition of African art in decades at any museum, says Eric M. Lee, director of the Kimbell Art Museum. For years, African art has been understood through a dominantly Eurocentric perspective that assigned meanings of beauty and importance to these objects. This exhibition reevaluates these works using the very words and perspectives of the people who made and used them.
The exhibition was organized by the Art Institute of Chicago, and the Kimbell is the first and only venue apart from the Institute where visitors can experience this diverse grouping of objects, many of which have never been on view to the public.
Special events scheduled for the exhibitions final weeks include:
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Family Festival: Summer Art Party With Ice Cream Sundayfiesta De La Familia: Fiesta De Verano De Arte Con Helado El Domingo
SUNDAY, JULY 17, noon5 p.m.Piano Pavilion
Celebrate art and community during free events that feature live performances, art making, gallery explorations and more. Admission for special exhibitions is waived for all visitors during Family Festivals. In addition to enjoying family activities, beat the summer heat with complimentary ice cream, while supplies last.
Modern Art Museum Of Fort Worth
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The Modern Art Museum of Fort Worth is an art museum of post-World War II art in Fort Worth, Texas with a collection of international modern and contemporary art. Founded in 1892, The Modern is located in the city’s cultural district in a building designed by architect Tadao Ando which opened to the public in 2002. The museum is accredited by the American Alliance of Museums and holds a permanent collection with more than 3,000 works of art.
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The New Modern Art Museum Of Fort Worth
To us snotty east coast aesthetes, the designation Texass oldest art museum might have a ring equivalent to Montanas premiere mime troupe. But hold on the Modern Art Museum of Fort Worth was founded as the Fort Worth Public Library and Art Gallery way back in 1892, decades before many larger cities got their own robber-baron palaces turned public showplaces. A mere dozen years later, the institution made its first purchase for the permanent collection: Approaching Storm, 1875, by George Inness. Not bad. By 1954, the museum had relocated to a Herbert Bayerdesigned building in the citys official Cultural District. Again not bad, especially for a city doubly cursed with the epithet Cowtown and the lingering, not so subliminal oppression wreaked by the glamorous televised existence of a metropolis a mere thirty-five miles to the east.
Peter Plagens is a contributing editor of Artforum.
