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Montgomery Museum Of Fine Arts

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Local Artists Live: Barbara Davis

Program Sponsors

Annual support for programs is made possible by lead sponsors Alabama State Council on the Arts, Central Alabama Community Foundation, Ms. Caroline J. Crook, The Daniel Foundation of Alabama, Lamar, Medical Properties Trust, Inc., MGMWERX, Porch Band of Creek Indians, and Regions Bank with additional support from sponsors Central Alabama Community Foundation, Mr. and Mrs. Robert Runkle, and The S. Adam Schloss Foundation, and co-sponsors Dr. and Mrs. Robert A. Avery, Dr. and Mrs. Sanders M. Benkwith, and Goodwyn Mills and Cawood, Inc.

Event Sponsors

Annual support for events is made possible by lead sponsors Alabama State Council on the Arts, Lamar, Porch Band of Creek Indians, and Rheem Manufacturing with additional support from sponsors AlaCOMP, Gene and Ray Ingram, Mark and Gage LeQuire, and Margaret and Jimmy Lowder, and co-sponsors Confero, Marion Community Bank, Morgan Stanley, Mary Lil Owens and Bill Little, Renasant Bank, Dr. and Mrs. J. Douglas Robertson, and Synovus Bank.

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Montgomery Museum Of Fine Arts Virtual Tour

The Montgomery Museum of Fine Arts features a collection that includes examples of 19th- and 20th-century American paintings and sculpture, Southern regional art, Old Master prints, and decorative arts.

The Museum was founded in 1930, and the American collection is based on works by John Singer Sargent, Edward Hopper, Whistler, and Winslow Homer. Its collection of Old Master prints, including works by Rembrandt and Dürer.

The Museum also hosts a range of temporary exhibitions from international and American collections as well as works by contemporary artists.

The reference library has more than 4,000 volumes, periodicals, and CDs available for research. Educational programs include workshops, tours, lectures, and other activities.

The Museum opened the Sculpture garden in 2018, on three acres of the adjoining park. The garden features traveling exhibits from throughout the world.

Self-Portrait with Raised Sabre by Rembrandt, 1634

Greenfield Commercial Credit Inc

Greenfield Commercial Credit Inc.

Unfortunately this came at a time when they were more concerned aboutselling themselves to Gibraltar Business Capital than keepingBrushstrokes Fine Art operational. As a result they allowed and domains toexpire and everything was shut down.

Greenfield Commercial Credit was sold to Gibraltar Business Capital inMarch 2012.

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Highlights Of The Montgomery Museum Of Fine Arts

  • Jacques Amans, Portrait of J.A. Rozier
  • John Singer Sargent, Mrs. Louis E. Raphael,1906
  • John Singleton Copley, Joseph Henshaw,1774
  • John Sloan, Grand Central Station, 1924
  • Dale Kennington, Long Day, Late Night, 2004
  • Deborah Butterfield, Isbelle, 2001
  • Joe Minter, Tools of the Sharecropper

Adirondack woods, Guide and Dog by Winslow Homer, 1889

The Blackburn Group Inc Invests In Atelier America Inc

Montgomery Museum of Fine Arts

To finance this dramatic change the Blackburn Group Inc. of London,Ontario, Canada invested heavily in Atelier America Inc.

They paid Iguana Studios, New York, one million dollars todevelop a website for Brushstrokes. However they had one significantproblem – they didn’t own the domain.

The first that we knew about any of this was inNovember 1999 when we received an e-mail from William Goldsteinrepresenting a “Canadian art company” interested in buying the rightsto the domain.

Unfortunately they embarked on a lot of deception in the early stagesof negotiation, which of course eroded away any trust. After negotiatingwith them over a four month period we were not able to agree on arealistic price for the domain. They were prepared togo no higher than $150,000 and we were holding out for somewhere between$200-250,000. Had the deal gone ahead Atelier America Inc. could haverecovered this in a matter of weeks once the new business was launched.

In order to move forward with their “Plan B”, Atelier America thenregistered nearly 30 domain names, many in the form The two that most people will be familiarwith were and

In November 2000 Atelier America Inc. went live with theirmillion-dollar website under This was laterswitched to

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What Ever Happened To Brushstrokes


Because of some confusion over domain names, and trademarks that havebeen legally registered in different countries, we receive a lot ofwebsite traffic and communications from people that are not intended forus. We do our best to respond out of courtesy, but at the end of the daythis is not something that we make any money out of.

As you will read below, we have been open to resolving this confusionmany times, but the other parties involved have either handled thesituation badly, or simply not been serious about getting it resolved,ultimately contributing to their own failure.

Montgomery Museum Of Fine Arts Association

  • EIN: 63-6049847
  • Nonprofit Tax Code Designation: 501 Defined as: Organizations for any of the following purposes: religious, educational, charitable, scientific, literary, testing for public safety, fostering national or international amateur sports competition , or the prevention of cruelty to children or animals.
  • Donations to this organization are tax deductible.
  • More Resources:
  • Get notifications:

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Brushstrokes Fine Art Inc

Mitchell WineBrushstrokes Fine Art Inc.

Mitch Wine is the son of Harold Wine, Chairman ofWSP International Limited. Both were directors of Brushstrokes FineArt Inc.

Mitch did a remarkably good job of rebuilding the company. Under hisleadership Brushstrokes Fine Art Inc. signed a major contract with theIKEA retail chain, and they ran a “photo to painting” process throughthe Michael’s Arts and Crafts stores throughout North America, and viathe QVC TV channel.

Unfortunately they still did not have the domain, andwe were getting traffic that should’ve been going to them.

Rather than approaching us openly and directly, our first contact camein 2004 from Grant Weltman of WSP International,“a marketing company in Birmingham Alabama”. He offered us $5000 forthe domain, which of course we turned down. Then in2005 we were approached by Mitch Wine “of WSP International”, tryingagain to see if we were interested in selling. Through all of this there was no mention of theirconnection to Brushstrokes Fine Art Inc. Had Mitch Wine approached usopenly from the beginning and made a realistic offer a deal would’vebeen reached.

Thus began an annual attempt for Brushstrokes Fine Art Inc. to try toget the domain. It always came around the time oftheir Christmas sales push, usually shortly after Christmas when theyreviewed their sales figures.

Montgomery Museum Of Fine Arts

Collage Tour

AlabamaMontgomeryAlabama Shakespeare FestivalHistory Great DepressionJohn Kelly FitzpatrickWetumpkaElmore CountyMontgomery CountyCollections Old Alabama TownAlabama Department of Archives and HistoryAlabama Historical CommissionFirst White House of the ConfederacyFort Toulouse-Fort Jackson Historical ParkWinton M. BlountBill TraylorThornton Dial Sr.Jimmy Lee SudduthMose TolliverquiltmakersGee’s BendWilcox CountyEducation and Outreach Additional ResourcesAmerican Paintings from the Montgomery Museum of Fine Arts



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List Of Museums In Georgia

This list of museums in Georgia contains museums which are defined for this context as institutions that collect and care for objects of cultural, artistic, scientific, or historical interest and make their collections or related exhibits available for public viewing. Museums that exist only in cyberspace are not included.

What Was Brushstrokes


Many people know of Brushstrokes® as a method ofreproducing the three dimensional texture of a painting, showing both thecolor and the detail of the individual brushstrokes present in the original.

One such method was developed in Canada in the 1990s. In the days before3D printing it was a revolutionary method of reproducing fine art.

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Where To Now

now a void for this type of product

Digital Design Ltd. is already exploring methods of art reproductionusing laser scanning and 3D printing technology.

Unlike the previous method where the 3D texture on the finalreproductions had absolutely no connection to the brushstrokesof the original artist, but rather those of an in-house artistcreating the mold, our method will be a 100% faithfulreproduction of the original artist’s work.

In addition we will solve the number one complaint from art buyersworldwide:

From within the website customers are taken througha number of steps to:

  • choose the painting
  • select from a range of border styles and mounting options
  • select the frame
  • Once they are happy with their selections they order the product, andit is printed in one piece – painting, border, and frame by a3D printer and shipped to them.

    As Digital Design Ltd. is an electronic and software engineeringcompany we are ideally placed to build the custom equipment and softwarethat runs the entire production line – from the website all the way through toshipping.

    We are currently looking for investors so we can move the developmentat a faster pace. If you would like to open up a discussion with us aboutthis, you can e-mail:

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