Nine Pins Shelburne Museum Vermont
Another often-overlooked museum that is best known for its American folk art and quilts is the Shelburne Museum in Vermont. Besides a fascinating array of vintage circus memorabilia, dollhouses, automata and paintings by prominent folk artists like Erastus Salisbury Field and Ammi Phillips, the wildfowl and fish decoys are particularly memorable and so are such folk art objects as Nine Pins.
J. David Bohl
Another often-overlooked museum that is best known for its American folk art and quilts is the Shelburne Museum in Vermont. Besides a fascinating array of vintage circus memorabilia, dollhouses, automata and paintings by prominent folk artists like Erastus Salisbury Field and Ammi Phillips, the wildfowl and fish decoys are particularly memorable and so are such folk art objects as Nine Pins and Eagle on Uncle Sams Hat, which are exquisite examples of carved and painted wood creations from the 19th century .
American Folk Art Museum
The American Folk Art Museum has contributed more than 1,500 images of traditional art and works by contemporary self-taught artists from its permanent collection to the Artstor Digital Library.
The museums holdings comprise more than 7,000 works created by American and international artists from the 18th century to the present. Artstor presents a varied selection including paintings, works on paper, sculpture, trade figures, signs, weathervanes, furniture, ceramics, needleworks, rugs, quilts, and coverlets. Notable early American folk artists such as John Blunt, Erastus Salisbury Field, Edward Hicks, Jacob Maentel, Ammi Phillips, and William Matthew Prior are included. The work of 20th-21st-century self-taught artists from around the world is also presented, including Nek Chand, Henry Darger, Howard Finster, Bessie Harvey, Martín Ramírez, Bill Traylor, and Adolf Wölfli.
Museum Of International Folk Art
The circus themed folk art of W.J. “Windy” Morris is showcased at the Museum of International Folk Art in Santa Fe, New Mexico
Kitty Leaken Museum of International Folk Art
All of these are the work of folk and self-taught artists who exist outside the mainstream art world. If youre looking for some alternatives to the traditional museum experience, youve come to the right place.
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Wealth And Income Disparity
New York City, like other large cities, has a high degree of , as indicated by its of 0.55 as of 2017. In the first quarter of 2014, the average weekly wage in New York County was $2,749, representing the highest total among large counties in the United States. As of 2017, New York City was home to the highest number of of any city in the world at 103, including former . New York also had the highest density of millionaires per capita among major U.S. cities in 2014, at 4.6% of residents. New York City is one of the relatively few American cities levying an on its residents. As of 2018, there were 78,676 in New York City.
Sexual Orientation And Gender Identity
The New York metropolitan area is home to about 570,000 self-identifying and people, and one of the world’s largest. were legalized on June 24, 2011 and were authorized to take place on July 23, 2011. Charles Kaiser, author of The Gay Metropolis: The Landmark History of Gay Life in America, wrote that in the era after , “New York City became the literal gay metropolis for hundreds of thousands of immigrants from within and without the United States: the place they chose to learn how to live openly, honestly and without shame.”
The annual traverses southward down and ends at in Lower Manhattan the parade rivals the as the largest pride parade in the world, attracting tens of thousands of participants and millions of sidewalk spectators each June. The annual is held in and is accompanied by the ensuing Multicultural Parade.
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Full And Partial Subway Closures
Before 2011 there have been some full subway closures for transit strikes and blackouts .
On August 27, 2011, due to the approach of , the MTA suspended subway service at noon in anticipation of heavy flooding on tracks and in tunnels. It was the first weather-caused shutdown in the history of the system. Service was restored by August 29.
On October 29, 2012, another full closure was ordered before the arrival of . All services on the subway, the and were gradually shut down that day at 7:00 P.M., to protect passengers, employees and equipment from the coming storm. The storm to the system, especially the , upon which many sections between and on the were heavily damaged, leaving it essentially isolated from the rest of the system. This required the NYCTA to truck in 20 subway cars to the line to provide some interim service ” rel=”nofollow”> H). Also, several of the system’s tunnels under the were flooded by the storm surge. suffered serious water damage and did not reopen until April 4, 2013 by restoring service to the older that had been replaced in 2009 the stub-end terminal tracks remained out of service until June 2017.
Snow removal during the 2014 snow storm
Closed turnstiles during the COVID-19 pandemic
Fallen tree during Hurricane Isaias
The Totem Gallery At The Art Museum Of Southeast Texas
Felix “Fox” Harris was a self-taught sculptor who grew up in Texas but didnt start making art until after his retirement when he was in his mid-50s. He was inspired by a vision from god who told him to “make something out of nothin,” and he set to work creating sculptures made from coffee pots, Venetian blinds, fan blades and discarded plastic and metal pieces. Many of his totem-like structures were designed to move in the wind and often included some of his trademark motifs such as running horses or hands. Over a 25 year period he made 140 sculptures which were displayed in his yard for all to see. After his death, his grandnephew donated his sculptures to the Art Museum of Southeast Texas in Beaumont, which is where you can currently view most of his remarkable work.
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Abby Aldrich Rockefeller Folk Art Museum
10:00 a.m. – 6:00 p.m.
Art is in the eye of the beholder. In the galleries of the folk art museum, you’ll discover an amazing variety of paintings, sculptures, and other objects created by talented, self-trained artists and craftsmen. In fact, it’s one of the largest collections of American folk art.
Th Streetlincoln Center Station
|66 StreetLincoln Center|
|Northbound platform with 2 train skipping the station|
|New York, NY 10023|
|October 27, 1904 117 years ago|
|54 out of 424|
|Show map of New York City SubwayShow map of New York CityShow map of New York|
|Stops all times|
|Stops late nights only|
66th StreetLincoln Center is a local on the of the . Located at the intersection of and in , it is served by the train at all times and by the train during late nights.
The 66th Street station was constructed for the as part of the , which was approved in 1900. Construction of the line segment that includes the 66th Street station started on August 22 of the same year. The station opened on October 27, 1904, as one of the original 28 stations of the New York City Subway. The station’s platforms have been lengthened since opening.
The 66th Street station contains two and four tracks express trains use the inner two tracks to bypass the station. The station was built with tile and mosaic decorations. The platforms contain exits to 66th Street and Broadway as well as to . The station contains elevators from the street, which make it compliant with the .
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Join The Communityparticipate In The Museum’s Educational And Interactive Programs
The museum serves as an important source of information and scholarship in the field and hosts a wide array of events for every level of interest. Programs including lectures, panel discussions, and symposia make experts and cultural leaders accessible to the public. A variety of workshops and live musical performances are offered in the galleries each week, and school, summer camp, teen, and adult programs take place throughout the year. The museum is dedicated to making the study of folk and self-taught art available to and meaningful for all.
Visit the programs page to get involved.
Higher Education And Research
More than 600,000 students are enrolled in New York City’s more than 120 higher education institutions, the highest number of any city in the world, with more than half a million in the system alone as of 2020, including both degree and professional programs. According to , New York City has, on average, the best higher education institutions of any .
Much of the in the city is done in medicine and the . New York City has the most postgraduate life sciences degrees awarded annually in the United States, with 127 having roots in local institutions as of 2005 while in 2012, 43,523 licensed physicians were practicing in New York City. Major biomedical research institutions include , Rockefeller University, , , , and , being joined by the / venture on . The graduates of in the Bronx earned the highest average annual salary of any university graduates in the United States, $144,000 as of 2017.
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Sign Up To Be The First To Know More About All Things Art Museums
With three museums in one, theres so much to see and do at Colonial Williamsburg, so this is one mailing list you’ll want to join. Stay informed about upcoming events, opening exhibitions, new programming, and be the first to get great special offers at the Abby Aldrich Rockefeller Folk Art Museum and The DeWitt Wallace Decorative Arts Museum as well as the living history museum.
American Perspectives: Stories From The American Folk Art Museum Collection
|Jessie B. Telfair , Freedom Quilt, 1983, Parrott, Georgia. Cotton, with pencil, 74 x 68 inches. Collection American Folk Art Museum, New York, gift of Judith Alexander in loving memory of her sister, Rebecca Alexander, 2004.9.1, photo by Gavin Ashworth.|
Holmes and Titelman Galleries
In American Perspectives, explore powerful visual narratives that offer firsthand testimony to chapters in the unfolding story of America from its inception to the present. This exhibition highlights more than seventy stellar works of folk and self-taught art from the museums collection. Beautiful, diverse, and truthful, the art illuminates the thoughts and experiences of individuals with an immediacy that is palpable and unique to these expressions. The artworks are organized into four sections Founders, Travelers, Philosophers, and Seekers and respond to such themes as nationhood, freedom, community, imagination, opportunity, and legacy. Evocative visual juxtapositions and accessible contextual information further reveal the vital role that folk art plays as a witness to history, carrier of cultural heritage, and a reflection of the world at large through the eyes, heart, and mind of the artist.
3001 Riverside Park Drive
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Years Strong: Looking Ahead With The American Folk Art Museum
Cordelia Hamilton and Adele Earnest, two of the museums co-founders. Photo courtesy of the American Folk Art Museum.
NEW YORK CITY When the American Folk Art Museum, then known as The Museum of Early American Folk Arts, adopted its charter in 1961, it was really a gallery over a deli in a townhouse, said Jason Busch, the museums director and chief executive officer. For what it lacked and it lacked quite a bit: a permanent home, an endowment, even a collection it made up for in its perseverance and vision, one that was, notably, a forebearer of the great push for diversity in art that institutions are frenetically scrambling to fill today.
The museum now spans two boroughs in New York City, its gleaming gallery in Lincoln Square pulsing with energy beamed over from its administrative offices, archives and library that reside in Long Island City, Queens.
The six decades since its inception have been an evolution for the institution, which adopted its current name in 2001.
Installation shot of the 1974 exhibition Folk Art Underfoot. Photo courtesy of the American Folk Art Museum.
There are words that regularly crop up in conversations about folk art that directly relate to the predicament many museums found themselves in when the pandemic jeopardized their existence this past March. Among them are sidelined and survival.
Curator of folk art Emelie Gevalt led viewers through a virtual tour of Signature Styles: Friendship, Album, and Fundraising Quilts.
Why You Should Go
On an island overflowing with works by some of mankindâs greatest artistic minds, a museum dedicated to the untrained amateur may not seem like the obvious choice for a day of art exploration. But this is exactly why the Folk Art Museum is a necessary piece of New York’s museum landscape. Other museums feature highly-trained, practiced, professional artists. At times it can be difficult to separate the technical training from the inspiration of the muse. The Folk Art museum strips away the training, the technique, and the marketing motive. Art here is truly *ars gratia artis*, created with whatever medium is available just to ease the artist yearning within. It may not be Rembrandt or Warhol, but it is art.
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What You Will See
Folk Art is easier to identify than to define. Think county fair art contest. Or rural estate sale. Quilts, samplers, panel paintings. But the scope of the museum’s collection extends well beyond frontier America decorative arts. *Art brut* produced by contemporary artists occupies an increasing portion of the collection. Unfortunately, with the 2011 closing of the museum’s spacious midtown building, the museum currently has little space for permanent displays. Instead, the museum focuses on temporary exhibits that rotate frequently throughout the year. Only with repeated visits can guests get an accurate sense of the scope and vision of this unique institution.
Water Purity And Availability
New York City is supplied with drinking water by the protected . As a result of the watershed’s integrity and undisturbed natural system, New York is one of only four major cities in the United States the majority of whose drinking water is pure enough not to require purification by plants. The city’s municipal water system is the largest in the United States, moving over one billion gallons of water per day. The north of the city is undergoing construction of a $3.2 billion water purification plant to augment New York City’s water supply by an estimated 290 million gallons daily, representing a greater than 20% addition to the city’s current availability of water. The ongoing expansion of , an integral part of the New York City water supply system, is the largest capital construction project in the city’s history, with segments serving Manhattan and the Bronx completed, and with segments serving Brooklyn and Queens planned for construction in 2020. In 2018, New York City announced a $1 billion investment to protect the integrity of its water system and to maintain the purity of its unfiltered water supply.
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Gift Includes Examples By Horace Pippin Sister Gertrude Morgan And Bill Traylor
Horace Pippin’s The Wash from around 1942, a gift of Laura and Richard Parsons American Folk Art Museum
The American Folk Art Museum in New York has announced a transformative gift of 40 works in honour of the institutions 60th anniversary, including striking examples by the self-taught African-American artists Horace Pippin, Sister Gertrude Morgan, Bill Traylor and Elijah Pierce.
The gift was presented by the collectors Laura Parsons, a trustee and former board chairwoman of the museum, and her husband, Richard Parsons, a former chief executive of AOL/Time Warner and past chairman of Citigroup. The couple have amassed a trove of so-called outsider art since the 1990s and have donated works to the museum in the past.
The paintings and sculpture included in the gift are transformational additions to the museums collection and enhance our commitment to presenting an inclusive, nuanced and meaningful story of folk and self-taught art across time and place, the institutions director and chief executive, Jason T. Busch, said in a statement.
A spokesman for the museum says that some of the works could potentially go on view early next year.
An untitled and undated painting by the Bahamian artist Amos Ferguson donated to the American Folk Art Museum American Folk Art Museum
Mexican And Latin American Folk Art
The International Museum of Art & Science introduces visitors to a variety of the colorful and powerful pieces from its collection of Mexican and Latin American folk art.
Folk art is a vibrant industry in Mexico and Latin America. With the growth of the travel industry, crafts have become an important source of income for the country, especially as the rural population becomes economically marginalized. The relatively simple technology and low capitalization needed for craft production encourages its development as an alternative source of employment.
Folk art is about one-of-a-kind hand-made objects, produced on a relatively small scale. The objects produced are infinitely varied and reflect the creative imagination of the individual maker. While pieces may closely resemble each other, few are ever alike, as artists add their own unique touches to each piece.
Mexican and Latin American art helps us see the diverse country from the inside- in homes, in the market, in customs, traditions, and rituals. Latin America possesses a great wealth of craftsmanship that plays an important role in many communities, for their own use and for sale to tourists and collectors.
The Mexican and Latin American Folk Art gallery features pottery , masks, paper arts and papier-mâché, Oaxacan ceramics, Wixárika yarn paintings, textiles, and Guatemalan weavings. Although each piece is different, count on one thing: together the collection is colorful!
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