A Dutch Courtyard By Pieter De Hooch
A Dutch Courtyard by Pieter de Hooch depicts two men seated at a table in the courtyard and a standing woman. The soldier who is wearing a breastplate is setting down the pitcher he has used to fill the glass, now held by the woman.
The pass-glass the woman is drinking from was used in drinking games. Each participant had to drink down to the next line on the glass.
If the drinker failed to reach the line level, the reveler would be required to drink down to the next ring. Only when the drinker had drunk successfully to the required line would the glass be passed on to the next participant.
The little girl carries a brazier of hot coals so that the two soldiers can light their long-stemmed, white clay pipes.
Madame Moitessier By Jean
Madame Moitessier by Jean-Auguste-Dominique Ingres is a portrait of Marie-Clotilde-Inès Moitessier completed in 1851 which depicts the subject standing in a black dress looking directly at the viewer.
Madame Moitessier was the daughter of a French civil servant who married a wealthy banker and merchant, who was a widower twice her age.
New York By George Bellows
New York by George Bellows is a large painting that captures the essence of modern life in New York City in 1911.
The view looks uptown toward Madison Square from the intersection of Broadway and 23rd Street, but Bellows drew on several commercial districts to create an imaginary composite.
His focus was to show the crowds and traffic to convey a sense of the citys hectic pace. Bellows assembled all of these diverse elements of New York into one scene.
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Freer Gallery Of Art And The Arthur M Sackler Gallery
To experience some of the finest Asian art available in Washington, DC, look no further than the Freer Gallery of Art and the Arthur M. Sackler Gallery. These galleries work in tandem to create the Smithsonian National Museum of Asian Art, which aims to highlight the innate universality of art and the way it intrinsically unites all of humanity. Their collections are wide-ranging, covering topics such as South Asian and Himalayan art, biblical manuscripts, Korean, Japanese, and Chinese artworks, and ancient pieces from Egypt and the Near East. When you visit, youâll be able to view painted jars from the 16th century Ming Dynasty in China and stoneware pitchers from Koreaâs 13th century Goryeo Kingdom. At the Freer Gallery, step inside the Peacock Room for an ongoing exhibition of blue-and-white glazed porcelains from the Chinese Kangxi period. This spaceâGallery 12âhas had a tumultuous history, from its controversial beginnings in Victorian London to the budding friendship between Freer Gallery founder Charles Lang Freer and the original Peacock Room curator James McNeill Whistler, but today this collection draws crowds to appreciate the delicacy of porcelain craftsmanship. Make sure youâre in the Peacock Room when they open the window shutters on the third Thursday of each month from noon to 5:30 PM to see these artifacts in stunning natural light.
Watson And The Shark By John Singleton Copley
Watson and the Shark by John Singleton Copley depicts the rescue of the boy from a shark attack in Havana harbor, Cuba. This painting is based on the true story of an attack that took place in 1749.
The English boy Brook Watson, then a 14-year-old cabin boy, lost his leg in the attack. He was not rescued until the third attempt by the shark, which is the subject of the painting.
The shark attack on Watson resulted in the loss of his right leg below the knee. However, he went on to have a distinguished career, including becoming a Lord Mayor of London.
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National Museum Of Women In The Arts
The National Museum of Women in the Arts is the only museum in the world dedicated solely to celebrating the artistic achievements of women. The permanent collection features more than 3,000 works of art including a wide range of styles and media by women from the 16th century to the present. Special programs and tours are designed to highlight the works of specific artists, composers, writers, musicians, actors, filmmakers, and dancers.
Dc National Gallery Of Art Museum Semi
- See an extensive collection of art ranging from Renaissance artists, the French Impressionists, and great American painters
- Get to know the scandals and facts behind these famous paintings
- Enjoy a semi-private tour with an expert guide
Get to know an extensive collection of art ranging from Renaissance artists, the French Impressionists, and great American painters all housed under one roof at the DC National Gallery of Art. On this semi-private guided museum tour you will be given the chance to explore and discuss pieces by famous artists like Da Vinci and Degas. Monets Woman with a Parasol, Stuarts portrait of George Washington, and Titans Venus with a Mirror are just some of the masterpieces you will be able to see in this collection.
Your expert guide will tell the tales, scandals and facts behind these famous paintings. Youll also learn the techniques the masters used to create these prolific works of art. The museum itself, is a great discussion topic since it was quickly transformed from an empty building to a revered museum in less than a century.
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Freer Gallery Of Art And Arthur M Sackler Gallerywashington United States
The Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonians National Museum of Asian Art, are located on the National Mall in Washington, DC. Committed to preserving, exhibiting, and interpreting exemplary works of art, the Freer and Sackler house exceptional collections of Asian art, with more than 42,000 objects dating from the Neolithic period to today. Renowned and iconic objects originate from China, Japan, Korea, South and Southeast Asia, the ancient Near East, and the Islamic world. The Freer Gallery also holds a significant group of American works of art largely dating to the late nineteenth century. It boasts the worlds largest collection of diverse works by James McNeill Whistler, including the famed Peacock Room.
Unified administratively and joined physically, the Freer and Sackler are dedicated to increasing our understanding of the arts of Asia through a broad portfolio of exhibitions, publications, conservation, research, and education. The museum is free and open to the public 364 days a year.
A Lady Writing A Letter By Johannes Vermeer
A Lady Writing a Letter by Johannes Vermeer depicts a lady writing a letter while sitting at a table in a room. She appears to have been interrupted, as she looks up towards the viewer, while she continues to hold the quill in her right hand.
The lady is dressed in an elegant lemon-yellow morning jacket and wears pearl earrings. A necklace lies on the table.
Vermeers compositional focus is on the woman and her face. The smaller objects on the table stand in contrast with the large forms used in the rest of the composition, which create a geometric framework for the figure.
The table is brought close to the picture plane to emphasizes the directness of her gaze. Johannes Vermeer preserves the integrity of the picture plane to create a vivid illusion of three-dimensional space.
On the back of the wall is a dark painting that covers much of the background and contrast with the ladys brighter colors.
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Interior Of The Pantheon Rome By Giovanni Paolo Panini
Interior of the Pantheon, Rome by Giovanni Paolo Panini depicts the interior of the famous and best-preserved of all Ancient Roman buildings, the Pantheon.
The Pantheon has been a prominent tourist attraction in Rome for hundreds of years. Built by Hadrian in 113125 AD, this grand domed temple has survived structurally intact because it was consecrated as a Christian church, St. Mary and the Martyrs, in 609 AD.
Panini populated the scene with foreign visitors. He featured a diverse mix of Romans and visitors from all parts of society. They congregate in the Pantheon to pray and to admire the fantastic architecture.
A Young Girl Reading By Jean
A Young Girl Reading by Jean-Honoré Fragonard depicts a girl in profile wearing a lemon yellow dress with a white ruff collar and cuffs and purple ribbons.
The girl is reading from a small book held, and a cushion resting against a wall supports her back. Her face and dress are lit from the front.
Fragonard used fine brushwork on the face and looser brushwork on the dress and cushion and the ruff, which was scratched into the paint with the end of a brush.
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How To Reach National Gallery Of Art
Metrobus and Metro rail
Take a Metrobus to stop at Archives-Navy MemorialPenn Quarter on Green and Yellow lines. You can also take a Metrorail to stop at 7th Street and Pennsylvania Avenue NW.
This is another good option to come to the National Art Gallery. The Capital Bikeshare station can be found on 4th Street and Madison Drive.
Washington D.C. Circulator Bus
You can follow the National Mall route while taking the Bus.
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Waterloo Bridge By Claude Monet
Waterloo Bridge by Claude Monet is one in a series of paintings of the famous bridge in London. All of the pictures in the Waterloo Bridge series share the same viewpoint overlooking the Thames.
The paintings depict different times of the day and very different weather and light conditions. From 1899 through 1901, Monet set up his paints in the Savoy hotel and on the rivers north bank and painted the bridge over 40 times.
He depicted the Waterloo Bridge more than either the Houses of Parliament or the Charing Cross Bridge, from his two other London series.
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Ginevra De Benci By Leonardo Da Vinci
Ginevra de Benci by Leonardo da Vinci depicts a well-known young Florentine aristocrat. Leonardo painted the portrait in Florence in 1474 to commemorate Ginevras marriage at the age of 16.
The juniper bush that fills much of the background was regarded as a symbol of female virtue, in Renaissance Italy, while the Italian word for juniper, echos Ginevras name.
Ginevra is shown beautiful but reserved with no hint of a smile. Her gaze, although forward, seems indifferent to the viewer.
The Emperor Napoleon In His Study At The Tuileries By Jacques
The Emperor Napoleon in His Study at the Tuileries by Jacques-Louis David shows Napoleon standing. This portrait is three-quarters life-size, wearing the uniform of a colonel of the Imperial Guard Foot Grenadiers with his military decorations.
Napoleon is looking at the viewer and poses with his right hand is in his jacket. His face is reminiscent of Churchills early portraits of determination.
On the desk are a pen, several books, dossiers, and rolled-up papers. More rolled documents and a map are on the green carpet to the left of the desk.
Napoleon is shown with unbuttoned cuffs, wrinkled stockings, disheveled hair. The flickering candles are nearly spent, and the time on the clock is 4.13 am.
These symbols are all meant to imply he has been up all night, writing laws such as the Code Napoléon. The word Code is prominent on the rolled papers on the desk.
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Saint Jerome By El Greco
Saint Jerome by El Greco shows him as an ascetic with gaunt, sunken features and white hair and beard, which are symbolic of his history as a penitent and his retreat to the Syrian desert.
The cave-like setting recalls St Jeromes years as a hermit in the desert. The book symbolizes his scholarly activity. During the Renaissance, paintings showed Saint Jerome either in his study or performing acts of penance in the wilderness.
These pictures adorned the walls of the homes of many humanists and scholars.
Farmhouse In Provence By Vincent Van Gogh
Farmhouse in Provence by Vincent van Gogh depicts the entrance gate to a farm with haystacks beyond the gate and with the farmhouse in the background.
When Van Gogh arrived in Arles in February 1888, the landscape was covered with snow, but it was the sun that he enjoyed in Provence. And this painting captures the brilliant light that he sought.
Van Gogh simplified the forms and reduced the scene to the flat patterns he admired in Japanese woodblock prints. Arles, he said, was: the Japan of the South.
Van Gogh used pairs of complementary or contrasting, colors which together intensified the brilliance and intensity of one anothers colors.
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Symphony In White No 1 By James Abbott Mcneill Whistler
Symphony in White, No. 1 by James Abbott McNeill Whistler shows a woman in full figure standing on a wolf skin in front of a white curtain with a white lily in her hand.
The woman is dressed all in white, which is the color scheme of the painting. The painting was initially called The White Girl, but later, Whistler called it Symphony in White, No. 1.
Art critics have interpreted the painting as an allegory of innocence and its loss. This painting was an early experiment in white on white.
This color scheme was a subject he would return to later, in two other paintings that would be given the titles of Symphony in White, No. 2 and Symphony in White, No. 3 .
National Gallery Of Art Travel Tips
- Since the gallery promotes public transportation, there is no parking space inside the complex. However, you may get a parking space on the nearby streets and garages.
- The entrance of both the east and west buildings have ramps for wheelchairs, walkways for strollers, and elevators. The cafe and garden are also wheelchair accessible.
- The gallery and sculpture garden both allow entry to the service dogs.
- Special accessible programs are offered for the deaf, blind, and those who can’t hear to see clearly.
- The facilities like American Sign Language video tours as well as Audio recording and podcasts are available to learn better about the gallerys collection and artists.
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Smithsonian American Art Museum
The Smithsonian American Art Museum is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world’s largest and most inclusive collections of art, from the colonial period to the present, made in the United States. The museum has more than 7,000 artists represented in the collection. Most exhibitions take place in the museum’s main building, the old Patent Office Building ” rel=”nofollow”> National Portrait Gallery), while craft-focused exhibitions are shown in the Renwick Gallery.
The museum provides electronic resources to schools and the public through its national education program. It maintains seven online research databases with more than 500,000 records, including the Inventories of American Painting and Sculpture that document more than 400,000 artworks in public and private collections worldwide. Since 1951, the museum has maintained a traveling exhibition program as of 2013, more than 2.5 million visitors have seen the exhibitions.
Facing The Brink: Conservation Wins At The National Zoo
Assumed to be extinct in the early 1980s, the black-footed ferret population has rebounded to endangered status thanks to efforts by the National Zoo. Credit: Smithsonian National Zoo
The zoo is helping to restore the scimitar-horned oryx population, which is now extinct in the wild, in hopes to reintroduce it to its native Tunisia, Niger and Chad. Credit: Smithsonian National Zoo
The timber rattlesnake in America is not endangered, but populations are decreasing due to deforestation and development across the U.S. Credit: Smithsonian National Zoo
Wild horses from Mongolia, Przewalski’s horses are considered critically endangered. Credit: Smithsonian National Zoo
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Small Cowper Madonna By Raphael
The Small Cowper Madonna is a painting by Raphael, depicting Mary and Child in the 1500s Italian countryside. It was painted around 1505 during the middle of the High Renaissance.
The composition is centered on the seated Madonna in a bright red dress she is shown with fair skin and blonde hair.
She is sitting comfortably on a wooden bench, and across her lap is a dark blue drapery upon which her right hand delicately rests. There is also a sheer translucent ribbon elegantly flowing across the top of her dress and behind her head.
The faintest golden halo miraculously surrounds her head. In her left hand, she holds the baby Christ, who embraces her with one arm around her back, the other around her neck. He also has blonde hair and is looking back over his shoulder with a coy smile.
Smithsonian National Museum Of African American History And Culture
When this landmark museum opened, the nations capital added yet another architectural marvel to the National Mall. Designed by the renowned David Adjaye, the exterior is a masterfully crafted, three-tiered bronze-colored screen, with a lattice that pays tribute to the intricate ironwork forged by enslaved African Americans in the southern United States. Before stepping inside, youre made aware that an astounding and essential history awaits. The museum is home to the African American story, which in many ways is the story of America itself.
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The Museum At The Frederick Douglass House
Robbins began to develop the idea for an African art museum while he was working in Germany.Stanford, Love Not All Requited. He resigned from the State Department in 1962 and, one year later, founded the Center for Cross-Cultural Communication in Washington, D.C. Its first major project was to raise funds to open a museum of African art.Stephen Rosoff, The Collector, Michigan Alumnus : 28. Robbins bought a second-hand IBM,Stanford, Love Not All Requited. hired a small staff, and worked out of his basement, making calls and writing to potential patrons. In 1964, he took out a mortgage to purchase the former home of Frederick Douglass, located behind the Supreme Court building, and established the Frederick Douglass Institute of Negro Arts and History, which was dedicated on September 21. The museum and institute had the mission of sponsoring exhibits and lectures on the contributions of African and African American people in the United States.Penelope Lemov and Gail Werner, African Art Museum and Douglass Institute Are Booming, New York Times, June 29, 1969 Eden Orelove, Happy Birthday Frederick Douglass!: A Commemorative Blog from the National Museum of African Art, Smithsonian Collections Blog, February 14, 2008, .