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Museum Of International Folk Art

How Wayang Kulit Are Made

Hungarian Traditional Pottery

The art of creating wayang kulit is incredibly detailed. Several artists are usually involved in the different stages required to make a single puppet. These artists often learn the art from family members and apprentice with a master, and in the past they may have also studied at the kraton .

Wayang kulit are made from water buffalo hide, cut and punctured by hand, one hole at a time. The artists who carve and puncture the water buffalo hide begin by scratching the outline and details of the wayang figure onto the rawhide. The carving and punching of the rawhide, which is most responsible for the characters portrayal and the shadows that are cast, are guided by this sketch. A mallet is used to tap special tools, called tatah, to punch the holes through the rawhide. The tool only comes in two basic shapes, flat and curved, but they do come in a variety of sizes. Most punches require several turns of the tatah to achieve the desired detail. This is the most time-consuming stage of the puppet-making process.

Once the hole-punching is complete, the puppets are painted in layers of water-based paints, heavily decorated with extraordinarily fine details, and often finished with gold or bronze leaf.

A large character may take five months or more to produce.

Lloyd’s Treasure Chest: Folk Art In Focus

On long-term display

Lloydss Treasure Chest: Folk Art in Focus is a participatory gallery that encourages the exploration of folk art and contemplation of what is meant by folk art. Temporary, thematic displays are drawn from, and highlight the museums permanent collection of folk art, which is the museums treasure. The museums collection is too vast to exhibit in its entirety at any one time. When items are not on display, they are carefully stored and cared for in special rooms such as the Neutrogena Vault, which you can view from the Lloyds Treasure Chest Gallery.

The gallery is named for Lloyd Cotsen, folk art advocate and collector, and former president and CEO of the Neutrogena Corporation. In 1995, Cotsen and the Neutrogena Corporation donated an important collection of folk art and in 1998, the Neutrogena Wing, which includes Lloyds Treasure Chest, the Cotsen Gallery, and the Neutrogena Vault.

#mask: Creative Responses To The Global Pandemic

May 30, 2021 – January 15, 2023

Face masks have become daily attire for people around the world. More than a Personal Protective Device that keeps ourselves and others safe, face masks have become a creative outlet for many. They are representations of self-expression, political stance, fashion, and a symbol of humanitys hope and care for one another. This exhibition is an ode to the face mask, and to the artists and every day citizens making their way through the COVID-19 crisis.

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Fashioning Identities: A Companion To Dressing With Purpose

Fashioning Identities: A Companion to Dressing with Purpose. This display in Lloyds Treasure Chest Gallery serves as a companion to Dressing with Purpose: Belonging and Resistance in Scandinavia by offering more examples from our permanent collection of Sámi duodji, textile-making tools, and regional clothing from Northern Europe. December 12, 2021 – February 19, 2023.

Between The Lines: Prison Art & Advocacy

The Travelling Tot: Favorite Places: The Girard Wing at ...

Through a combination of in-gallery objects and multimedia pieces, as well as public conversations and events held at the museum and in the community, this exhibition addresses themes of incarceration, social justice and prisoners rights, recidivism and transitional justice. Works featured in exhibition are drawn from the Museums extensive collection of prison art alongside recently acquired art – including pieces made during workshops at the Metropolitan Detention Center in 2017, pieces purchased at the state Penitentiarys bi-annual Inmate Craftsmanship and Trades Fair in 2019, and a mural created by at-risk-youth through a school-to-prison pipeline initiative program between MOIFA and Santa Fe ¡YouthWorks! in 2018. The exhibition further explores strategies helping underserved populations so that they may avoid future incarceration and examine how the arts can be a catalyst for healing, rehabilitation, and change.

In addition to objects, this exhibition will ground itself in community input and dialogue. Themes that emerged from the conversation-based Pipline initiative wil be explored . Community members will be brought into the conversation for exhibit development and post-opening events. Collaborators include the Gordon Bernell Charter School , SAR and the Santa Fe Youth Detention Center, the Santa Fe Dreamers Project, and the Coalition for Prisoners Rights.

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Mexican And Latin American Folk Art

The International Museum of Art & Science introduces visitors to a variety of the colorful and powerful pieces from its collection of Mexican and Latin American folk art.

Folk art is a vibrant industry in Mexico and Latin America. With the growth of the travel industry, crafts have become an important source of income for the country, especially as the rural population becomes economically marginalized. The relatively simple technology and low capitalization needed for craft production encourages its development as an alternative source of employment.

Folk art is about one-of-a-kind hand-made objects, produced on a relatively small scale. The objects produced are infinitely varied and reflect the creative imagination of the individual maker. While pieces may closely resemble each other, few are ever alike, as artists add their own unique touches to each piece.

Mexican and Latin American art helps us see the diverse country from the inside- in homes, in the market, in customs, traditions, and rituals. Latin America possesses a great wealth of craftsmanship that plays an important role in many communities, for their own use and for sale to tourists and collectors.

The Mexican and Latin American Folk Art gallery features pottery , masks, paper arts and papier-mâché, Oaxacan ceramics, Wixárika yarn paintings, textiles, and Guatemalan weavings. Although each piece is different, count on one thing: together the collection is colorful!

Dressing With Purpose: Belonging And Resistance In Scandinavia

Dress helps us fashion identity, history, community, and place. Dress has been harnessed as a metaphor for both progress and stability, the exotic and the utopian, oppression and freedom, belonging and resistance. Dressing with Purpose examines three Scandinavian dress traditionsSwedish folkdräkt, Norwegian bunad, and Sámi gáktiand traces their development during two centuries of social and political change across northern Europe.

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Ykai: Ghosts & Demons Of Japan

Vivid in Japanese art and imagination are creatures that are at once ghastly and comical. Ykai is a catchall word that generally refers to demons, ghosts, shapeshifters, and strange and supernatural beings. Ykai are prevalent in Japanese popular and expressive culture you find them in manga , anime , and character-based games such as Pokémon .

In the Hispanic Heritage WingOctober 6, 2019 – December 31, 2022

The exhibition Música Buena: The exhibition will focus on the rich history of traditional Hispano music from the arrival of the Spanish through the present. Once in New Mexico, historic European traditions took on a new life and feel, blending with Native customs and reflecting the land, time, and place where these folkloric songs and traditions developed.

Museum Of International Folk Art

Ghost Stories from Japan and New Mexico, USA

The Museum of International Folk Art, a division of the New Mexico Department of Cultural Affairs, offers visitors a space of common ground to discover, share and marvel at the diversity and artistry of the worlds folk artists and cultures.

The art of the handmade takes center stage in this acclaimed world-class museum. Through vibrant galleries and visionary exhibitions and collections, viewers gain understanding and engage in dialogue about international folk art communities and traditions, cultural identity and aesthetics.

The museums expansive vision took root in 1953 with founder Florence Dibell Bartletts generous gifts of folk art, endowment funding, and a museum site and building to the State of New Mexico. The space has since grown to include the Girard Wing, Neutrogena Wing, Hispanic Heritage and Contemporary Hispanic Gallery, and the Gallery of Conscience. Thanks largely to donors who have continued Bartletts legacy of generosity, the museums collections have also grown to now hold more than 130,000 objects from six continents and over 100 nationsthe worlds largest collection of its kind.

Today the museums curators, educators and other professionals honor Bartletts foresight by collecting, preserving and interpreting world folk art in the ever-evolving context of cultural change. Their work has consistently earned the museum favorable ratings as one of New Mexicos and the worlds most unique and popular museums.

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Multiple Visions: A Common Bond

On long-term display

Multiple Visions: A Common Bond has been the destination for well over a million first-time and repeat visitors to the Museum of International Folk Art. First, second, third, or countless times around, we find our gaze drawn by different objects, different scenes. With more than 10,000 objects to see, this exhibition continues to enchant museum visitors, staff and patrons. Explore highlights from the GIRARD WING.

Virtual Tour: Alexander Girards Nativities

The museum’s holdings represent diverse cultures and constitute the largest collection of international folk art in the world. The core collection, donated by museum founder Florence Dibell Bartlett, from 34 countries has grown to over 130,000 objects from more than 100 countries. Explore our collections and Please Explore Our Online Museum Experiences!

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Santa Fe’s Favorite Museum

The entrance to Multiple Visions: A Common Bond pays homage to designer Alexander Girard whose donated collection of folk art from around the world makes up that permanent exhibition.

One of New Mexicos most popular museums opened to the public in 1953 and has gained national and international recognition as home to the worlds largest collection of folk art. The extraordinary collection of some 150,000 artifacts from more than 150 nations forms the basis for exhibitions in four distinct wings Bartlett, Girard, Hispanic Heritage, and Neutrogena.

Home to Alexander Girards international folk art collection and his innovative exhibition Multiple Visions: A Common Bond the exhibit displays 10 percent of Girard collection without label text , and docent tours are also available. Changing exhibitions feature ingallery art-making activities for all ages to enjoy together, as well as the Tree of Life Childrens Play Area, with toys, books, and a neighboring library of folk art books for parents and care givers.

Annual public programs include Arts Alive, Day of the Dead, Winter Celebration, and the Santa Fe International Folk Art Market.

Virtual Tour Folk Art Focus On Five Of Moifa’s Multiple Visions: Common Bonds

Museum of International Folk Art

Can’t wait to have a guided look at MOIFAs Girard Wing with its 10,000 pieces of vibrantly colored and fantastically arranged folk art from dozens of countries? Heres an opportunity to tour or even re-visitvirtuallyAlexander Girards last massive art installation from the comfort of your home with fantastic MOIFA docents. The five stop tour lasts about 45 minutes. Virtual Tours on Tuesdays at 11am MT. Register in advance for August dates with links below:

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