Black Refractions: Highlights From The Studio Museum In Harlem
Galleries 8 & 9
Echoes of Harlem, 1980, By Faith Ringgold Acrylic on canvas 79 1/2 x 80 1/2 inches The Studio Museum in Harlem Gift of Altria Group, Inc. Courtesy American Federation of Arts ©1980 Faith Ringgold
Hide ‘n’ Seek, Kill or Speak, 2004, Wangechi Mutu Paint, ink, collage, mixed media on mylar 42 x 48 inches The Studio Museum in Harlem Museum Purchase made possible by a gift from Jeanne Greenberg Rohatyn Image courtesy of the artist
A Boy In Front Of The Loews 125th Street Movie Theater, 1976, 1979, By Dawoud Bey Silver print 5 1/5 x 8 1/2 inches The Studio Museum in Harlem Gift of the Artist Image courtesy of the artist
Bonfire, 1962, By Norman Lewis Oil on canvas 64 x 49 7/8 inches The Studio Museum in Harlem Gift of the Estate of Norman Lewis ©Estate of Norman W. Lewis Image courtesy of Michael Rosenfeld Gallery LLC, New York, NY
Lawdy Mama, 1969, By Barkley L. Hendricks Oil and gold leaf on canvas 53 3/4 x 36 1/4 inches The Studio Museum in Harlem ©Estate of Barkley L. Hendricks Image courtesy of the artist’s estate and Jack Shainman Gallery, New York
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Artists Nina Chanel Abney And Jacolby Satterwhite Selected For Inaugural Visual Art Installations
In advance of the reopening of the new David Geffen Hall, Lincoln Center for the Performing Arts has collaborated with The Studio Museum in Harlem and Public Art Fund to commission acclaimed contemporary artists Nina Chanel Abney and Jacolby Satterwhite for new site-specific visual artworks that will inaugurate the new David Geffen Hall, home of the New York Philharmonic, opening in October 2022.
Bringing the most exciting contemporary visual artists working today to David Geffen Hall, these artworks are the first in what will be a new, rotating series of public commissions for the Halls public spaces. Featuring a new generation of artists, the series will serve as a beacon of David Geffen Hall and Lincoln Centers renewed focus on welcome and inclusion.
Abneys work will enliven the buildings nearly 200-foot north façade along 65th Street, transforming a long, previously uninviting stretch of the building into a dynamic outdoor installation for the first time, ensuring that those outside of the Halls four walls interact with the institution in a new and surprising way, just by walking by.
Satterwhites work will activate the lobbys marquee feature, a 50-foot media wall created to provide New Yorkers and visitors the opportunity to engage for free with performances inside the Hall as they happen, as well as captivating works of art, year-round.
About the Reimagination of David Geffen Hall
More details on the renovation can be found at www.davidgeffenhall.info.
Can You Only Have Resident Artists
Many museums host visual artists in residence, but others have taken a less traditional approach. The Delaware Art Museum hosts entire family-in-residences who work together to create art installations in the museums family space. On the other side of the Atlantic, the Victoria & Albert Museum currently hosts opera residents to compose a new opera based on the museums exhibitions.
Bottom line: With a little imagination and perspiration, you can create an artist in residence programme that works for your unique museum.
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The Studio Museum In Harlem Is Expanding Its Closely Watched Residency Program To Include A Mentoring Role For A Midcareer Artist
Artist Jacolby Satterwhite will take up the new position in 2020-21.
The Studio Museum in Harlems artist-in-residence program is renowned for identifying talented emerging artists and helping them achieve wider recognition. This year, the program, which will take place digitally, is expanding to include a mid-career mentoring resident in addition to the usual three residents.
Joining the program in 202021 are Texas Isaiah, Genesis Jerez, and Widline Cadet, as well as Jacolby Satterwhite in the mid-career role. Satterwhite, who enjoys a level of institutional support already, will work in a mentoring capacity to the other residents.
The residency program is the hallmark of the Studio Museum, and has helped launch the careers of artists of African and Latinx descent since its inception in 1968. Arthur Jafa, Kerry James Marshall, Senga Nengudi, Simone Leigh, and Carrie Mae Weems are all among its notable alumnae.
Installation view of Jacolby Satterwhite: Youre at home. Courtesy of Pioneer Works.
The addition of a fourth artist is the latest twist in a program that has been evolving over time. Its emphasis on painters was upended in 2019 with the appointment of the internet-based artist E. Jane and musician and performance artist Elliot Reed , and this years selection is similarly diverse.
SassyBlack. Photo by Texas Isaiah.
See more work by the 2020-21 residents, below.
Where Should Letters Of Recommendation Be Submitted
In an effort to streamline the application review process, all recommendations must be submitted through the SlideRoom reference portal. Artist applicants can send, resend, or edit incomplete reference requests through their SlideRoom account. Once this is done, their references will receive an email from SlideRoom with instructions on how to submit their recommendation letter through the portal.
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As I Was Studio Museum Artists In Residence 202021
L to R: Widline Cadet. Photo: Bradley Ogbonna Texas Isaiah. Photo: Texas Isaiah Genesis Jerez. Photo: Bradley Ogbonna Jacolby Satterwhite. Photo: Bradley Ogbonna
MoMA PS1
As I Was marks the third year of the multiyear partnership between The Studio Museum in Harlem, The Museum of Modern Art, and MoMA PS1, and features new work by the 202021 Artist-in-Residence cohort: Widline Cadet , Texas Isaiah , Genesis Jerez , and Jacolby Satterwhite .
With practices spanning new media, painting, sculpture, and photography, each artist proposes dynamic ways of experiencing time, space, and locality set into this current moment of complex transformation. In response to the seismic impacts of the ongoing Covid-19 pandemic, for the first time in the Museums history the artists participated entirely in remote form for the duration of the residency. Communication was deeply mediated by the digitalthis way of collaborating presented new modes of being, bending and recharting the territories of domestic, social, and studio space.
Support for As I Was at MoMA PS1 is generously provided by the Tom Slaughter Exhibition Fund and the MoMA PS1 Trustee Annual Fund.
Studio Museum In Harlem Names Artists In Residence
The museum adds a midcareer component to a program known for anointing new talent.
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The artist-in-residence program at the Studio Museum in Harlem is an institution an early-career incubator whose alumni list, in annual cohorts of three, reads like a canon of a half-century of Black American art.
Lately, the program has taken an experimental turn. In 2018, it moved off-site as the museum closed to begin construction of its new building. In 2019, it innovated in selecting two artists working in digital media and performance, E. Jane and Elliot Reed, alongside a painter, Naudline Pierre.
This year, as the coronavirus scrambles the landscape, the museum is leaning into change. Its 2020-21 residencies, announced Thursday, will take place remotely. Two of the selected artists, Widline Cadet and Texas Isaiah, are photographers another, Genesis Jerez, works in painting and mixed media. And there will be a fourth, midcareer resident, Jacolby Satterwhite, adding a veteran component to a residency known for announcing and anointing new talent.
Its a year to experiment, said Legacy Russell, the museums associate curator for exhibitions. The pandemic, its impact on Black and brown communities, and the climate of upheaval call on the museum to respond, she said. What does it look like to support artists right now?
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Studio Museum In Harlem Announces 202122 Artists In Residence
The Studio Museum in Harlem, New York, has announced the three latest participants in its prestigious artist-in-residence program. Filmmaker Cameron Granger, painter Jacob Mason-Macklin, and textile artist Qualeasha Wood will enter the program, which is noted for having elevated the careers of a number of African and Afro-Latinx artists, including Candida Alvarez, Jordan Casteel, Kerry James Marshall, Wangechi Mutu, and Mickalene Thomas.
All three of the new artists in residence are under thirty, with Granger and Mason-Macklin hailing from Ohio and Wood coming from New Jersey. Though the trio are comparatively unknown outside intimate art-world circles, all have begun making names for themselves within recent years.
A native of Columbus, Mason-Macklin frequently draws on Blaxploitation films predating his birth by decades to make powerful figurative paintings whose vibrant but slightly dulled hues recall the harvest wheat, autumn gold, and avocado tones popular in the 1970s. Mason-Macklin often takes as his subject popular Black figures from that era, such as James Brown or the Soul Train dancers, placing them in the service of his exploration of the Black experience in America, and of enduring Black stereotypes.
The Studio Museum In Harlem Announces 2020
Posted September 10, 2020 ·Amanda Thomas, TSM Press
WIDLINE CADET, GENESIS JEREZ, TEXAS ISAIAH, AND JACOLBY SATTERWHITE TO PARTICIPATE IN THE STUDIO MUSEUMS SIGNATURE PROGRAM Annual Exhibition for the 201920 Cohort to be Presented at MoMA PS1 in December 2020
FALL EXHIBITION FOR 201920 ARTISTS IN RESIDENCE
CURRENT AND UPCOMING EXHIBITIONS
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Should You Start With An Artist In Residence
If your museum can achieve all the steps above, then we say YES. Inviting new perspectives, talent, and experimentation can only make your museum even more awesome.
What do you think? Are you intrigued by the idea of having an artist-in-residence at your museum? Are you already doing this? Let us know!
Studio Museum Names New Cohort Of Artists
Since 1969, the Studio Museum in Harlem has been supporting contemporary artists and, in that time, their artists-in-residence programme has helped form the canon of Black and diasporic art in the US. Adding to their cohort, the Studio Museum recently announced their newest members who will begin their 11-month residency next month.
Widline Cadet, Genesis Jerez, Texas Isaiah, and Jacolby Satterwhite have been selected as this years group of artists to receive the prestigious residencies. Typically, selected artists are emerging and at the start of their career, but this year, the museum broke from their usual structure in awarding Satterwhite, an established artist, a residency position that will promote mentoring and generational exchange. The 2020-21 residency programme also differs slightly this year as it will be held digitally to accommodate for COVID-related restrictions.
The residency offers recipients a year to experiment as Studio Museum associate curator for exhibitions Legacy Russel put it to The New York Times. Isaiah, a Brooklyn-born artist working in California and New York, and Cadet, born in Haiti and now living in New York, are both photographers. Jerez, on the other hand, is a painter who often reflects on her Dominican upbringing. Satterwhite, who is based in New York as well, is known for his video works but has more recently moved toward installation and sculptural works.
Of the selection, Russell stated:
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Amm Spotlight: The Studio Museum In Harlem Artist
In my experience being an artist in resident at the studio museum has been amazing thus far. There is something really special about being a part of this tremendous legacy and the immediate access or the kind of intimacy that creates. Sable Elyse Smith
A group of artists, activists, and philanthropists established the Studio Museum in 1968 and from the beginning its residency program was a central part of its mission. Over the past half century, it has consistently identified and supported some of the most critically recognized artists working todayfrom David Hammons and Kerry James Marshall, to Julie Mehretu, Mickalene Thomas, and more recently Njideka Akunyili Crosby, Kevin Beasley, and Jordan Casteel.
Since 1968, The Studio Museum in Harlem has earned recognition for its catalytic role in advancing the work of visual artists of African and Latino descent through its Artist-in-Residence program. The program has supported over one hundred graduates who have gone on to highly regarded careers.
Our Artist-in-Residence program has been at the heart of this institutions mission since our founding in 1968. It is the embodiment of our commitment to supporting emerging artists of African descent, and is at the center of our work to bring artists together with the Harlem community, Director and Chief Curator, Thelma Golden
Artist Residencies In Atypical Museums
Even if youre constrained by budget or space, an artist in residence could still work for your museum with a little creative thinking.
Side Street Studios in Cape Town isnt your standard art museum its a complex of studios, workshops, and galleries spread across three once-abandoned buildings. Since 2015 theyve leveraged their unique spaces to host three-week residencies with a particular focus on street art, urban exploration, and community engagement. Resident artists live in the complex for free, and in return create a piece of artwork for the museum. By basing their residencies on in-kind exchange of creativity instead of cash payment, Side Street Studios has created a more affordable model that can be sustained long-term.
Artists in residence dont even need to take up physical space in your museum. Take inspiration from LACMA, which recently launched its first by recruiting a local artist to take over the museums Instagram account. Like all successful residencies, this one benefits everyone involved: the artist gets a boost to their profile and work, while LACMA gets fresh content for their social media feeds, and the opportunity to connect with new digital audiences.
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Studio Museum In Harlem Selects 2020
FOUR NEW ARTISTS are receiving the imprimatur of the Studio Museum in Harlem. Widline Cadet, Genesis Jerez, Texas Isaiah, and Jacolby Satterwhite have been selected for the museums Artist-in-Residence program, a prestigious opportunity that has served as a launching pad for some of todays most highly regarded artists of African and Afro-Latinx descent. The news was announced yesterday.
The new group is participating in the program from October 2020 to September 2021. This cycle represents two firsts for the museum. Ordinarily, three artists in the early stages of their careers are chosen. This year, the group also includes a fourth artist who is considered mid-career. Satterwhite was selected for a new pilot program providing mid-career mentorship for an experienced artist whose practice shows great promise and merits recognition.
In addition, the program is being conducted entirely remotely for the first time in order to ensure the health and safety of the artists and museum staff in the wake of the COVID-19 virus. One of the main perks of the residency is the studio space provided by the museum. Since the program is digital this cycle, that benefit has gone away. The residency will otherwise continue to provide the artists with invaluable material and institutional support, including professional development, virtual studio visits with the museums curators, and research resources.
Meet the 2020-21 Participants:
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- Studio Museum in Harlem Director and Chief Curator Thelma Golden was honored at this year’s Whitney Museum of Ameri
- “For a lot of people, when we think of Harlem we think of art, when we perhaps think of queer art histories it stop
- “The art world is only just now catching up with Faith Ringgold.” The Studio Museum in Harlem Director and Chief C
- “The Studio Museum’s legacy is one that I have always carried with me in my mind and heart and so to have the oppor
- “These highly visible pieces, commissioned by the performing arts center in partnership with The Studio Museum in H
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More About The Residency Program
- Physical studio spaces will be made available to the artists in residence contingent on COVID-19 protocols and in accordance with CDC guidelines. As the Museum remains committed to the health and safety of the artists in residence and staff, the Museum reserves the right to establish a remote residency, if necessary, at any point throughout the residency period.
- In accordance with the New York City vaccine mandate, the Museum will require artists in residence to be vaccinated unless they qualify for an exemption for either disability, medical, or religious reasons.
- Artists should apply to the residency with the understanding that they may be asked to work remotely.
- Artists are required to engage with their studio practice at a minimum of twenty hours per week.
- Over the course of the residency program, artists are required to participate in the Museums annual Open Studios, a number of public programs and educational studio visits, and a rigorous engagement with the Museum’s Curatorial Department and other Museum departments.
- A selection of artworks made by the artists throughout the course of the residency will be featured in a culminating exhibition.
- Artists cannot be in school or committed to another residency while in the Studio Museum Artist-in-Residence program.
May 22 August 15 2021
With works in a variety of mediums by nearly eighty artists dating from the 1920s to the present, Black Refractions presents close to a century of creative achievements by artists of African descent. Celebrating The Studio Museum in Harlems role as a site for the dynamic exchange of ideas about art and society, this landmark exhibition proposes a plurality of narratives of Black artistic production and multiple approaches to understanding these works. Organized by the American Federation of Arts and The Studio Museum in Harlem, the exhibition reveals the breadth and expansive growth of the Studio Museums permanent collection and includes iconic pieces by artists such as Barkley Hendricks, Faith Ringgold, Lorna Simpson, Alma Thomas, and James VanDerZee, as well as Seattles own Jacob Lawrence and Noah Davis, among many others.
Black Refractions: Highlights from The Studio Museum in Harlem is organized by the American Federation of Arts and The Studio Museum in Harlem. This exhibition is curated by Connie H. Choi, Associate Curator of the Permanent Collection at The Studio Museum in Harlem. The presentation at the Frye Art Museum is coordinated by Amanda Donnan, Chief Curator, with David Strand, Associate Curator.
Jordan Casteel. Kevin the Kiteman, 2016. Oil on canvas. 78 x 78 in. The Studio Museum in Harlem Museum purchase with funds provided by the Acquisition Committee 2016.37. Photo Credit: Adam Reich. © Jordan Casteel. Courtesy American Federation of Arts.
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