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Whitney Museum Of American Art Exhibitions

Ancient Ontario Smoking Pipes

Seeing Agnes Pelton

The smoking pipe was a distinctive cultural feature of thepre-contact Iroquoian-speaking peoples in Ontario, including theHuron and their ancestors. Most were made of pottery, but sometimesstone was also used. These pipes show a significant degree ofindividual craftsmanship, yet still conform to certain sociallyaccepted styles or types, based on bowl shape and decoration, asidentified by archaeologists. Pipe stems were sometimes decoratedtoo.

Effigy pipes appear in the Ontario archaeological record fromabout the 14th century until after European contact inthe 17th century. Their bowls were modelled intoanthropomorphic or zoomorphic figures, or ‘effigies.’ Research indicates thatthe style of zoomorphic figures remained comparatively unchangedover the period. Representations include salamanders, snakes, owls,bears, and wolves or dogs. The most common effigy was the humanfigure, in particular the face, of which there are many differentforms and embellishments.

Various interpretations of effigy pipes have been described andpublished over the last hundred or more years. Their meaningappears to be complex, requiring multiple explanations that arespecific to each effigy. Some zoomorphic figures may represent clanor lineage totems, others may be cosmological symbols. Human facesmay have an association with medicine mask ceremonies or withpowerful or influential individuals.

Education And Early Work

While visiting Europe in the early 1900s, Gertrude Whitney discovered the burgeoning art world of and in France. What she saw encouraged her to pursue her creativity and become a sculptor.

She studied at the with and . Other women students in her classes included and . In Paris she studied with and also received criticism from . Her training with sculptors of public monuments influenced her later direction. Although her catalogs include numerous smaller sculptures, she is best known today for her monumental works.

Her first public commission was Aspiration, a life-size male nude in plaster, which appeared outside the New York State Building at the in , in 1901.Initially she worked under an assumed name, fearing that she would be portrayed as a socialite and her work not taken seriously. Neither her family nor her husband were supportive of her desire to work seriously as an artist. She once told an artist friend, “Never expect Harry to take your work seriously … It never has made any difference to him that I feel as I do about art and it never will .” She believed that a man would have been taken more seriously as an artist, and that her wealth put her in a lose-lose situation: criticized if she took commissions because other artists were more needy, but blamed for undercutting the market for other artists if she was not paid.

In 1907, Whitney established an in . She also set up a studio in , a fashionable Parisian neighborhood in the XVI arrondissement.

Making The 2022 Biennial: An Interview With The Curators

In advance of the 2022 Biennials opening on April 6, Breslin and Edwards look back on three years of intense collaboration, unforeseen challenges, and communing with artists. Their generative professional and personal partnership and mutual admiration are unmistakable throughout their conversation: Edwards raves about Breslins knack for diplomacy he reveres her rigorous intellect and direct conversational approach with artists. The pair share their process and secrets to organizing an overwhelmingly daunting project. Their guiding principle? Its got to be buck wild. A fitting expression of our strange and precarious times.

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Vantage Points: Contemporary Photography


The first exhibition of its kind in the nation, Vantage Points: Contemporary American Photography, is a collaboration between the Peoria Riverfront Museum, the Whitney Museum of American Art, founded by Gertrude Vanderbilt Whitney and regarded as the foremost institution of contemporary American art, and Art Bridges, founded by Alice Walton , whose mission is to bring outstanding American art to the public. The exhibition features photographs by 20 of the most influential artists of the 1970s through the 2000s, including Andy Warhol, Robert Mapplethorpe, Sally Mann, Diane Arbus, Gregory Crewdson, William Eggleston, Nan Goldin and Richard Avedon.

Vantage Points is the first contemporary photography exhibition hosted by the Peoria Riverfront Museum.

The photographs exhibited in Vantage Points span 35 years and represent a rich point in American photography which reveals the expressive capacity of this young medium. These works from 1970s through the early 2000s evocatively explore mythologies, theatricalities, and empirical narratives of identity and location from an American perspective.

The exhibition was organized by the Whitney Museum of American Art, New York, and curated by Carrie Springer, Assistant Curator. Whitney Museum.

Curatorial Statementby David Breslin And Adrienne Edwards

Heres two great reasons to visit the Whitney this weekend: its your ...

Since the start of the pandemic, time has expanded, contracted, suspended, and blurredoften in dizzying succession. We began planning this Biennial in late 2019: before Covid and its reeling effects, before the uprisings demanding racial justice, before the widespread questioning of institutions and their structures, before the 2020 presidential election. Although underlying conditions are not new, their overlap, their intensity, and their sheer ubiquity created a context in which past, present, and future folded into one another. We organized this Biennial to reflect these precarious and improvised times. Many artists contributions are dynamic, taking different forms during the course of the exhibition. Artworks change, walls move, and performances animate the galleries and surrounding objects. The spaces of the Biennial contrast significantly, acknowledging the acute polarity of our society. One floor is a labyrinth, a dark space of containment another is a clearing, open and light filled.

Whitney Biennial 2022: Quiet as It’s Kept is co-organized by David Breslin, DeMartini Family Curator and Director of Curatorial Initiatives, and Adrienne Edwards, Engell Speyer Family Curator and Director of Curatorial Affairs, with Mia Matthias, Curatorial Assistant Gabriel Almeida Baroja, Curatorial Project Assistant and Margaret Kross, former Senior Curatorial Assistant.

Whitney Biennial 2022: Quiet as It’s Kept is presented by

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The Whitneys Collection: Selections From 1900 To 1965jun 28 2019

Norman Lewis, American Totem, 1960. Oil on canvas, 73 1/2 × 44 7/8 in. . Whitney Museum of American Art, New York purchase with funds from the Laurie M. Tisch Illumination Fund in memory of Preston Robert and Joan Tisch, the Painting and Sculpture Committee, Directors Discretionary Fund, Adolph Gottlieb, by exchange, and Sami and Hala Mnaymneh 2018.141. © Norman Lewis. Courtesy Michael Rosenfeld Gallery LLC, New York, NY

This exhibition of more than 120 works, drawn entirely from the Whitneys collection, is inspired by the founding history of the Museum. The Whitney was established in 1930 by Gertrude Vanderbilt Whitney, a sculptor and patron, to champion the work of living American artists. Mrs. Whitney recognized both the importance of contemporary American art and the need to support the artists who made it. The collection she assembled foregrounded how artists uniquely reveal the complexity and beauty of American life.

This exhibition is organized by David Breslin, DeMartini Family Curator and Director of the Collection, with Margaret Kross, Senior Curatorial Assistant, and Roxanne Smith, Curatorial Assistant.

The Whitneys Collection: Selections from 1900 to 1965 is sponsored by

Major support is provided by the Barbara Haskell American Fellows Legacy Fund.

Generous support is provided by the Jon and Mary Shirley Foundation.

Move To The Upper East Side

In 1961, the Whitney began seeking a site for a larger building. In 1966, it settled at the southeast corner of Madison Avenue and 75th Street on Manhattan‘s Upper East Side. The building, planned and built 19631966 by and Hamilton P. Smith in a distinctively modern style, is easily distinguished from the neighboring townhouses by its staircase façade made of granite stones and its trapezoidal windows. In 1967, Mauricio Lasansky showed “The Nazi Drawings”. The exhibition traveled to the Whitney Museum of American Art in New York, where it appeared with shows by Louise Nevelson and Andrew Wyeth as the first exhibits in the new museum.

The Whitney developed a new main building, designed by Renzo Piano, in the West Village and Meatpacking District in lower Manhattan. The new museum, at the intersection of Gansevoort and Washington Streets, was built on a previously city-owned site and marks the southern entrance to the High Line park. Construction began in 2010 and was completed in 2015. It cost $422 million.

The new building is much more expansive and open than the old ones. As one New York Times review described the building:

After an April 30, 2015, ceremonial ribbon-cutting attended by Michelle Obama and Bill de Blasio, the new building opened on May 1, 2015.

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Lenape And New Netherland

Fall 2021 Exhibitions Press Preview

The area that would eventually encompass modern-day New York City was inhabited by the people. These groups of culturally and linguistically identical traditionally spoke an language now referred to as .

European settlement began with the founding of a post in Lower Manhattan, later called in 1626. The first fort was built at to protect .

Soon thereafter, most likely in 1626, construction of began.Later, the to serve as laborers they helped to build that defended the town against and native attacks. Early directors included and . became a in 1638 but five years later was embroiled in against the Native Americans. The , across the Hudson River in present-day , resulted in the death of 80 natives in February 1643. Following the massacre, tribes joined forces and nearly defeated the Dutch. The sent additional forces to the aid of Kieft, leading to the overwhelming defeat of the Native Americans and a peace treaty on August 29, 1645.:37â40

On May 27, 1647, was inaugurated as upon his arrival. The colony was granted self-government in 1652, and New Amsterdam was formally incorporated as a city on February 2, 1653.:57 The first mayors of New Amsterdam, and , were appointed in that year.

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Featured Resourcesthe Andy Warhol Film Project

From 1963 through 1968 Andy Warhol produced nearly 650 films, including hundreds of silent Screen Tests, or portrait films, and dozens of full-length movies, in styles ranging from minimalist avant-garde to commercial sexploitation.

The Andy Warhol Film Project began in the 1980s when the Whitney Museum and The Museum of Modern Art agreed to collaborate on the largest archival research project in the history of American avant-garde cinema: to catalogue Warhols massive film collection, investigate its history, and preserve and re-release all of the films in conjunction with a program of scholarly research and publication.

Robert Smithson, film still from Spiral Jetty, 1970. 16mm film, color, sound 35 minutes. Whitney Museum of American Art, New York purchase with funds from the Film, Video, and New Media Committee 2011.97. © Estate of Robert Smithson/VAGA, New York.

Whitney Museum Announces Exhibition Schedule Through Fall 2022

View from Gansevoort Street. Photographed by Ed Lederman, 2015.

Upcoming season highlights include the 2022 Whitney Biennial, solo installations featuring the work of Edward Hopper and Martine Gutierrez, new explorations of the Whitneys collection, and a group exhibition exploring the work of contemporary Puerto Rican artists on the fifth anniversary of Hurricane Maria.

The Whitney Museum of American Art announced new exhibitions scheduled through fall 2022. Foregrounding the Museums long-held artist relationships and forging new ones, the dynamic program spans group shows, solo artist presentations, collection installations, and the return of the Museums signature exhibition, the Whitney Biennial.

In the 2022-23 season, the Whitney galleries will be filled with some of the most exciting and forwardlooking work of our time, said Adam D. Weinberg, the Museums Alice Pratt Brown Director. With the 2022 Biennial as the forerunner, the upcoming season emphasizes the Whitneys role in providing a platform for experimentation and discoveryas well as rediscoverywhile remaining grounded in the Museums collection and historic commitments. Were proud that each of these exhibitions are organized by the Whitneys dynamic and prescient curatorial staff we look forward to presenting their fresh ideas and perspectives as well as those of the artists they champion.

Please visit for complete program details.

UPCOMING EXHIBITIONSAll dates subject to change.

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Haciendo La Bienal 2022 Del Whitney: Una Entrevista Con Los Curadores

En víspera de la apertura de la Bienal 2022 el 6 de abril, Breslin y Edwards hacen un repaso de tres años de intensa colaboración, desafíos inesperados y su experiencia comunitaria con los artistas. Su profesionalismo, empatía personal y admiración mutua son inequívocas a lo largo de la conversación: Edwards elogió el tacto diplomático de Breslin admira su riguroso intelecto y la aproximación directa con los artistas. Ambos comparten sus secretos y procesos para organizar un proyecto abrumadoramente intimidante. ¿Su principio rector? Tiene que ser muy alocado, un calificativo que calza bien a nuestros tiempos extraños y precarios.

Mattox Family Home Original Site Richmond Hill Georgia Circa 1935

Whitney Museum of American Art (@whitneymuseum) on Instagram: # ...


Henry Ford brought this house to Greenfield Village in 1943, one of a group of buildings to represent African Americans’ progress from bondage through emancipation to world recognition. Later research revealed that this home belonged to the Mattoxes, a land-owning African-American family–not a white plantation overseer, as Ford had believed. Current interpretation presents Mattox family life from the 1930s.

Henry Ford brought this house to Greenfield Village in 1943, one of a group of buildings to represent African Americans’ progress from bondage through emancipation to world recognition. Later research revealed that this home belonged to the Mattoxes, a land-owning African-American family–not a white plantation overseer, as Ford had believed. Current interpretation presents Mattox family life from the 1930s.


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The Whitney Museum Of American Art

  • The Whitney Museum was founded in order to collect, preserve, interpret and exhibit progressive American art, and support new artists and emerging art forms
  • The Whitney provides a safe haven for young and emerging artists, art students, and theorists to study and develop their crafts

Whitney DissentersThe Tenbstract Painting in AmericaOrganizationThird Biennial of Contemporary American PaintingPainting MahoningDoor to the RiverLectern Sentinel


Quiet As Its Keptapr 6oct 16 2022

The Whitney Biennial has surveyed the landscape of American art, reflecting and shaping the cultural conversation, since 1932. The eightieth edition of the landmark exhibition is co-curated by David Breslin, DeMartini Family Curator and Director of Curatorial Initiatives, and Adrienne Edwards, Engell Speyer Family Curator and Director of Curatorial Affairs. Titled Quiet as Its Kept, the 2022 Biennial features an intergenerational and interdisciplinary group of sixty-three artists and collectives whose dynamic works reflect the challenges, complexities, and possibilities of the American experience today.

Read more about the exhibition in a statement by the curators.

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World War I And Its Aftermath

During , Gertrude Whitney dedicated a great deal of her time and money to various relief efforts, establishing and maintaining a fully operational hospital for wounded soldiers in , about 35 kilometres northwest of Paris in France.

While at this hospital, Gertrude Whitney made drawings of the soldiers which became plans for her memorials in New York City. Her work prior to the war had a much less realistic style, which she strayed away from to give the work a more serious feeling. In 1915, her brother perished in the sinking of the .

She completed a series of smaller pieces realistically depicting soldiers in wartime, but her smaller works were not seen as particularly significant during her lifetime. Since her death critics have recognized the expert craftsmanship of her smaller works.

  • Chateau Thierry

In addition to participating in shows with other artists, Whitney held a number of solo exhibitions during her career. These included a show of her wartime sculptures at her Eighth Street Studio in November 1919 a show at the , March 1 to April 15, 1923 and one in New York City, March 1728, 1936. The majority of works created in this period of her work were made in her studio in Paris. The held a commemorative show of her works in 1943.

The Laurie M Tisch Education Center

A Conversation with Jennifer Packer | Live from the Whitney

For the first time in its history, the Whitney Museum has a dedicated space for education with the opening of the Laurie M. Tisch Education Center. Centrally located on the Museums Third Floor and adjacent to the Susan and John Hess Family Theater, the Education Center provides opportunities for museum educators to work in innovative ways, offering audiences drop-in programming, hands-on learning, and in-depth and interdisciplinary programming. The Laurie M. Tisch Education Center is a hub where visitors can engage with artists and enliven and enrich their museum experience.

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Th And 18th Centuries

In 1664, the English and it “” after the and the city of in .

At that time, people of African descent made up 20% of the population of the city, with European settlers numbering approximately 1,500,:14 and people of African descent numbering 375 .:22 While it has been claimed that African slaves comprised 40% of the small population of the city at that time, this claim has not been substantiated. During the mid 1600s, farms of free blacks covered 130 acres where later developed.

The Dutch , renaming the city “”, before permanently ceding the colony of to the English for what is now in November 1674.

The new English rulers of the formerly Dutch New Amsterdam and New Netherland renamed the settlement back to New York. As the colony grew and prospered, sentiment also grew for greater autonomy. In the context of the in England, led and effectively controlled the city and surrounding areas from 1689 to 1691, before being arrested and executed.

By 1700, the Lenape population of New York had diminished to 200. By 1703, 42% of households in New York had slaves, a higher percentage than in or .

The 1735 trial of in the city was a seminal influence on in North America. It would be a standard for the basic articles of freedom in the .

In 1754, was founded under by as King’s College in Lower Manhattan.

In 1771, was established along the Hudson River shoreline on land donated by , and replaced by in 1813.

Sidney’s Map Twelve Miles Around New York

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