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Kent State University Museum
Kent, OH
The Kent State University Museum welcomes students and the general public to view, study and research from its collection of historic, contemporary, and world fashions. The collection goes beyond clothing and textiles to also include American glass, furniture, paintings and other decorative arts. The Museum also houses a library of books and historic periodicals dedicated to fashion and decorative arts.
*This list does not include collections focused on individual designers or types of accessories, even if they are very popular you can search separately for this, or for more fashion museums by region or type of collection.
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Clothworkers Centre For The Study And Conservation Of Textiles At The V& a Museum
If you are a student of antique textiles or Oriental carpets, the Clothworkers Centre for the Study and Conservation of Textiles and Fashion is something that you will want to plan into your visit. This Center offers visitors a unique opportunity to inspect and study some of the most important textile pieces in the world up close and personal. The collection includes archaeological fragments of heavy antique tapestries and antique rugs.
Animals by the Watering Hole, tapestry, Ali Salim, 1985.
The Center can be found at Blythe House, Olympia in West London and is separate from the main museum. It is a state-of-the-art facility with a quiet, large, comfortable study room for individuals or groups of up to three people. You can study the object of your choice, as well as have access to reference books and the collection database. This is a unique experience open to researchers that is unlike any other in the world. It is indeed a treat to be able to have access to such an extensive and rare collection of antiquities.
Entrance to the Centre is free, but you must make an appointment first. It is open to individuals from 10:00 a.m. to 1:00 p.m. and from 2:00 p.m. to 4:30 p.m. Tuesday through Friday. It is only available to groups during certain hours. It is closed throughout August for inventory and resetting the collection.
The Clothworkers Centre for the Study and Conservation of Textiles
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Costume For The Seagull 1994
This is quite a new costume, at just 25 years old. However, it still has an incredible grandeur and presence. The Seagull is an Anton Chekhov play, written in 1895 and first performed in 1896. Like The Nutcracker, The Seagull was originally a flop and a failure. Chekhov continued to work on the play though, and it slowly became a fan favourite. This particular costume was created for the 1994 National Theatre production of The Seagull, for the character Irina Arkadina. She is an actress on holiday with her lover on her family estate. As you can see from the back , it is a rather elaborate costume. According to the V& A, it is an
Edwardian-style evening gown of heavy black panne velvet, the front and back with full-length inserted panels of metal thread gold lace with at waist to front a large oval artificial gem within gold braid. At each side of the front panel two narrower hanging panels studded with artificial gemstones, artificial pearls and sequins, each ending in a point with a tassel of plaited braid. The leg of mutton sleeves with deep cuffs decorated with the same metal thread lace and gems. The wide collar of three layers of pleated gauze, the inner layer wired and edged with artificial pearls.
The only downfall of this room for me is that it can be hard to see the front and back of a piece. There is typically another item on the other side, blocking it. However, I will stick with adoring the back of this gown for now.
Victoria And Albert Museum London : : China Collection
In addition to its very extensive regular display of Chinese art, the museum has numerous other examples of similar pieces that form a teaching and study collection. On my first visit, the study collection was open, on the second closed, but perhaps now it is again available. Where possible, I have linked here to the good images and descriptive material on the museum’s own website. In some cases, these links are directly from the thumbnails in others from the caption. A good many of the Chinese ceramics apparently are not yet in the database. The links now are to stable URLs . A number of my own images are substandard and will eventually be replaced.
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Bfi Transfers Film Costume Collection To V& A
Seven hundred film costumes, assembled by the British Film Institute over 20 years, are to be transferred to the Victoria and Albert Museum .
The announcement was made to coincide with the opening of the V& Aâs Hollywood Costume exhibition, in which more than 130 classic outfits are displayed.
They include a Superman costume worn by Christopher Reeve and a dress Marilyn Monroe wore in Some Like It Hot. Both were previously held by the BFI.
Hollywood Costume opens on 20 October.
At a press launch on Wednesday, guest curator Professor Sir Christopher Frayling said the BFIâs âgenerousâ donation meant the V& A was now the home of âthe national collection of film costumeâ.
The media event followed a gala launch on Tuesday attended by actor Simon Pegg, actress Helena Bonham Carter and the exhibitionâs senior guest curator, Professor Deborah Nadoolman Landis.
Costumes designed by Professor Nadoolman Landis are among those featured in the exhibition, which spans three ground-floor galleries at the V& Aâs South Kensington home.
They include those worn by Harrison Ford in his role as daredevil archaeologist Indiana Jones and the black suits sported by the title characters of The Blues Brothers, directed by her husband John Landis.
Other items on display include comic-book superhero outfits worn by Batman star Christian Bale, Spider-Man actor Tobey Maguire and Michelle Pfeiffer, in her guise as Catwoman.
The Ardabil Carpet At The Victoria And Albert Museum
No visit to the Victoria and Albert Museum would be complete without the Ardabil carpet. This is perhaps the most famous carpet in the world, and many people come to see this piece alone. This carpet is the oldest in the world for which a specific date of production is known. The early carpet was made in Ardabil, which is located in the northwestern section of Iran. It is the burial place of Shaykh Safi al-Din Ardabili. The Shaykh was a Sufi leader and a direct ancestor of Shah Ismail, who founded the Safavid Dynasty in the 16th century.
The Ardabil Carpet on display at the Victoria and Albert Museum.
This is an exquisite carpet with a millefleur design over the entire field superimposed onto a formal geometric medallion design. The medallion became popular during the 16th century and is still a traditional pattern that is used today. The exact origins of the carpet are not known, but it is believed to have been commissioned by the Court to be used on the shrine of the Shaykh.
The carpet has about 5,300 knots per 10 square centimeters and is made from dense silk. This allowed the designers to include an incredible level of detail. The carpet was produced by a large team of weavers and would have taken several years to complete. The Victoria and Albert Museum acquired the piece in 1893 for about £2,000. Now, it is considered one of the most priceless treasures in the world, and it is worth the trip to the museum just to see it.
A full view of the Ardabil Carpet.
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Visiting The Victoria And Albert Museum Collection
The Victoria and Albert collection stands out as one of the most important carpet collections in the world for many reasons. It is unique in both the range and scope of its carpets. It also offers several unique opportunities to see exceptionally rare pieces. If you are a researcher or student, visiting the Center for Study and Conservation is a treat that cannot be missed. A visit to the museum is something that everyone should try to do at least once in their lifetime. Plan to make an extended stay because this museum cannot be explored in a single day.
Bullerswood Carpet, William Morris and John Henry Dearle, about 1889, England.
Admission to both the main museum and the Centre for Study and Conservation is free. The main museum is open daily from 10:00 a.m. to 5:45 p.m. and on Fridays from 10:00 a.m. to 8:00 p.m. The main museum is located on Cromwell Road in London, SW7 2RL.
Kiyohara Tama Or Eleonora Ragusa: An Amazing Story About A Japanese Female Painter In Sicily
The Victoria and Albert Museum in London is one of the leading museums focusing on art and design. Its special for me due to the vast range of their collection, excluding no material or technique. V& A collects everything from ancient Chinese ceramics to Japanese kimono to Alexander McQueen haute couture dresses. What is more, the vast portion of the collection that is not on display is made available for browsing online.
Whenever online shopping becomes dangerous for my wallet, or may result in slow starvation until the next payday, I go for the safer option. No less fun, though. Pick a word, color, thing or technique and explore V& As collection. I usually start with the featured ones and then dig deeper into the complete catalog. I get to see beautiful things- in a way not much different from online shopping- but I cannot buy them, which is probably for the best and on top of that, I usually learn something new. Today well look at the beautiful kimono from V& A collection.
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Victoria And Albert Museum Collection
The Victoria and Albert Museum has contributed nearly 1,100 images of its diverse collections to the Artstor Digital Library. The selection in Artstor focuses on the decorative arts and works on paper ranging from ancient cultures to the 20th century, and including objects in every conceivable material serving myriad functions, from chairs to chalices.
The Victoria and Albert Museum , described as the worlds leading museum of art and design, features a global collection of more than 2.3 million objects encompassing 5,000 years of history. The comprehensive holdings support the study of architecture, furniture, fashion, jewellery, textiles, glass, ceramics, and bookmaking, as well as the arts of painting, photography, sculpture, theatre, and performance.
Years Of Fashion Anatomy Of A Collection
A film about the Dress Collection of
the V& A Museum, London
This 52 minute film takes viewers behind the scenes explaining the functions of the Collections departments and how it operates through its dedicated curators and staff.
Our guide is Susan North, Senior Curator of Fashion. We meet Professor Ribeiro of the Courtauld Institute, Jenny Tiramani of Shakespeares Globe, fashion designers Ozwald Boateng, Paul Smith and many more.
Susan North, Senior Curator of Fashion with Madeleine Marsh. Shakespeares Globe Staff Working with Doublets.
Shakespeares Globe Staff Working with Doublets.
We learn about acquisition, exhibitions, and the Collections role as reference and resource for theatre, film and contemporary fashion designers.
An extremely important activity is conservation. The film shows work on the famous Paquin dress which featured in the V& As Art Deco exhibition. The conservation of this dress took over 300 hours!
Conservation at the Victoria and Albert Museum
Conservation at the Victoria and Albert Museum
Conservation at the Victoria and Albert Museum, wardrobe assistants inspecting a coat.
The film also illustrates the Collections importance and relevance in the field of education, and how its revered by designers, students and teachers alike. The film is a must for all fashion aficionados.Available here
A 52 minute film available on video, in PAL and NTSC format.
£18.99 inc VAT, plus P& P.
An Artsview Production in association with the V& A Museum, London.
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Recreation Of Louis Xivs Apollo Costume 1969
This may not jump out and scream ballet!!, but it is actually a recreation of one of the first ballet costumes. As I chatted about in my Origins of Ballet post, Louis XIVs love of dance is largely responsible for the formalisation of ballet. Under Louis, ballet was codified, and productions became more elaborate. Apollo is one of his more infamous roles- as the Sun King, it seems only appropriate that he would also be Apollo in Ballet de la Nuit. Obviously this is not Louiss actual costume- it was recreated for the Royal Ballet to use in their Ballet for All education program. Made with twentieth century materials like gold lurex, it is incredibly eye-catching in person. I must say, while the dancing may not be quite as difficult as we have come to expect, I would love to see one of these productions for the costumes and sets.
Below We Are Including A Selection Of Textiles Tapestries And Antique Rugs Worthy Of Being Part Of The Victoria And Albert Museum Collection:
Antique Flemish Heraldic Tapestry of a Spanish Noble Admiral
Antique 18th Century Dalmatic European Textile
Rare Antique 17th Century Flemish Tapestry
Antique Azerbaijan Silk Embroidery Textile
18th Century Indian Embroidery Textile
Antique 17th Century Transylvanian Rug
Antique 16th Century Alcaraz Oriental Rug
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Are There Instances Where Images Of ‘in Copyright’ Works May Be Downloaded And Used Without Requiring Permissions From The Rights Holder
The UK Copyright, Design and Patent Act 1988 as amended and revised lists a limited number of examples or ‘exceptions’ where images of ‘in copyright’ works may be copied. These exceptions are known as ‘Fair Dealing’.
Examples include:
- Copying for research of a non-commercial nature and private study, for example use in a thesis submitted by a student for the purpose of securing a degree.
- Criticism and review
- Incidental inclusion, for example a sculpture in the background of a general gallery photograph.
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Blossoms Fans Tasseled And Ribboned Flower Bouquets
This elegantly patterned kimono celebrates the beauty of textiles through its decoration- which depicts lengths of fabric hung on an elaborate stand and gently fluttering in the breeze surrounded by clouds, fans and falling cherry blossoms. The design was created using a technique called yuzen. This involves drawing the pattern on the cloth with rice paste extruded through the metal tip of a cloth bag. The paste forms a protective coat that prevents the color penetrating when the dyes are applied. Here the skills of the dyer have been enhanced by those of the embroider, who has highlighted the stand and the edges of the fabrics in gold and added flowers, blossoms, and elaborate ties and tassels in pink, white, and green.
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Evening Dress 1912 By Lady Duff
This Evening Dress is a graceful satin gown by Lady Duff Gordon in a reasonably restrained mood. The long slit skirt is an attractive feature, although its draped construction is not too revealing.
Lady Duff Gordons claim that she had:
loosed upon a startled London . . . draped skirts that opened to reveal the legs.
Lady Duff-Gordon was a leading British fashion designer for centuries who worked under Luciles professional name.
She was the first British-based designer to achieve international acclaim. She was also a widely acknowledged innovator in couture styles.
She originated the mannequin parade, a precursor to the modern fashion show, and trained the first professional models.
She launched slit skirts and low necklines, popularized less restrictive corsets, and promoted alluring and pared-down lingerie.
Duff-Gordon is also remembered as a survivor of the sinking of the RMS Titanic in 1912.
She wrote in 1932:
For me, there was a positive intoxication in taking yards of shimmering silks,laces airy as gossamer and lengths of ribbons, delicate and rainbow-colored,and fashioning of them garments so lovely that some princess might have worn them in a fairy tale.
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Fashioning Masculinities At The Victoria & Albert Museum
Fashioning Masculinities: The Art of Menswear19 March 6 November 2022
This exhibition considers menswear and masculinity from the Renaissance to the present day, exploring how designers, tailors and artists – and their clients – have fashioned ideals of masculinity. Women wearing clothes which are traditionally deemed masculine is an interesting thread in the exhibition, and a portrait of Frances Stewart loaned from the Royal Collection Trust, is an excellent example. Masculine style riding habits were sometimes worn by fashionable women in this period but wearing a military buff coat, as in this portrait, was very unusual for a female sitter.
Other items from the Royal Collection are on long-term loan to the Victoria & Albert Museum
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V& a Museum Kensington London
The Victoria & Albert Museum in Kensington, London is quite simply one of the best museums anywhere in the world.
It is also one of the biggest art museums anywhere with a collection of more than 2.27 million objects.
Covering more than 12 acres, if you were to spend just 5 minutes in each of its 145 galleries it would take you more than 12 hours to see everything, which is why it is best to plan on at least a day for a visit, if not more.
The focus of the museum’s collection is on applied and decorative arts and sculpture. It tries not to overlap too much with other major collections, for instance objects from the classical world of the West and the Ancient Near East will be found at the British Museum, and Western paintings will be at the National Gallery.
The exhibitions cover all of history from 5,000 years ago up until contemporary times, and cultures from most parts of the globe are included.
