Tuesday, April 23, 2024

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Museum Of Contemporary Native Arts

American Traditional War Songs: The Ethnopoetic Videos Of Sky Hopinka

Exhibit Explores Modern Native American Art

MoCNA is pleased to present the digital works of filmmaker Sky Hopinka . Hopinkas work is both multifaceted conceptually and formally, with involved tiers of images and narratives. Beautiful and mysterious, thick with color and gesture, his films are filled with notions and confluences around tribal identity, language and land.

Swaias Indian Market Moving Image Classification X Winners

This film program features SWAIAs 2016 Indian Market Moving Image Classification X winners. Awards for Narrative Short, Documentary Short, Animation Short, Experimental Short, Music Video, and Youth Winners, recognize dedication and skill in working with new media and innovative art forms while retaining a commitment to traditional creation and technique. Award-winning films will be shown

George Heyes Legacy: Contemporary And Modern Art

Since its founding in 1989, the National Museum of the American Indian has augmented Heyes collection with some 15,000 pieces of modern and contemporary Native art. The largest single addition to the museums contemporary holdings was the transfer, in 2000, of the collection amassed by the Indian Arts and Crafts Board . This New Dealera agency was created within the U.S. Department of the Interior to benefit Native people by expanding the market for Indian-made art. The IACB collection consists of approximately 6,300 objects, including sculpture, paintings, pottery, beadwork, dolls, textiles, and jewelry.

New acquisitions by the museum encompass Native art made using traditional media, such as pottery, basketry, and beadwork, as well as multimedia pieces, metal sculpture, and other works reflecting a clear and strong engagement with contemporary art.

Infinity of Nations: Art and History in the Collections of the National Museum of the American IndianOngoing

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You Are On Indian Land

The exhibition You Are On Indian Land presents the work of leading contemporary American Indian and First Nations artists from across the North American continent. The participating artists actively engage the notion of pop-culture, misappropriation, and representation in their work. This multi-site exhibition premiered at Radiator Gallery in New York on April 17, 2015 featuring

Now Is The Time: Investigating Native Histories And Visions Of The Future

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Recent works by IAIA Artist-in-Residence artists explore current themes and trends in contemporary Native American art, including Indigenous science fiction and visionary Native histories. Several of the works are inspired by Native abstract symbolism of the past and their futuristic aesthetics, while others respond to popular culture and investigate the role of Star Wars in

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Daniel Mccoy: The Ceaseless Quest For Utopia

Daniel McCoys art addresses contemporary Native American issues, past triumphs, current disasters, and is inspired by underground comics, album covers, as well as Oklahoma flat style painting. His new mural project for IAIA Museum of Contemporary Native Arts further develops themes and characters of his previous works which are based in Native culture and

War Department: Selections From Mocnas Permanent Collection

All of the works in this exhibition have something to do with war, but depict very little gore or physical violence. The armed conflicts referenced in these artworks span 500 years, from the Spanish and Pueblo conquest, to World War II, Vietnam, Wounded Knee, the Mohawk and Oka Crisis, and present-day conflicts. This selection of

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Jacob Meders: Divided Lines

In the exhibition Divided Lines, artist Jacob Meders examines the complex misrepresentations of Indigenous peoples in North American artistic depictions prevalent in 15th and 16th century European society. By incorporating an aesthetic that emulates historic woodcuts, Meders panoramic installation toys with the idea of assimilation, reimagining figures with a likeness to Indigenous and western European

Iaia 2019 Bfa Exhibition #nofilteropening Reception

Museum of Contemporary Native Arts Interactive

#NoFilter: IAIA 2019 BFA Exhibition showcases the diversity of work being created by IAIA seniors trained in studio and cinematic arts. The selected works by these artists are grounded in ideas of personal, political, social, cultural, or historical importand reflect an earnest exploration of the artistss chosen media.

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Exposure: Native Art And Political Ecology Iaia Museum Of Contemporary Native Arts

IAIA Museum of Contemporary Native Arts traveling exhibition program offers thought-provoking, engaging exhibitions featuring works by leading artists and addressing current issues.

Exposure: Native Art and Political Ecology

Exposure: Native Art and Political Ecology documents international Indigenous artists responses to the impacts of nuclear testing, nuclear accidents, and uranium mining on Native peoples and the environment. The traveling exhibition and catalog give artists a voice to address the long-term effects of these man-made disasters on Indigenous communities in the United States and around the world. Indigenous artists from Australia, Canada, Greenland, Japan, Pacific Islands, and the United States utilize local and tribal knowledge, as well as Indigenous and contemporary art forms as visual strategies for their thought-provoking artworks.

Kulata Tjuta

Exhibition Size and Availability

The exhibition size is 365 linear feet and it is available for booking periods beginning March 1, 2022.

Provided with the Exhibition

  • Approximately 45 works of art
  • Didactics: wall panels and object labels, digital labels with information on featured artists, and an audio tour
  • A set of images for public relations, advertising, web, and educational uses, and five complimentary copies of the accompanying exhibition catalog

Shipping

Shipping Cost: Exhibitor pays for incoming shipping

Exhibition Fee: $15,000

Contact

Lloyd Kiva New: Art Design And Influence

Lloyd Kiva New: Art, Design, and Influence celebrates the work of Cherokee artist and educator Lloyd Henri Kiva New . This exhibition observes News 100th birthday and draws on three major themes of his legacy, each tied to his innovative concepts in Native art and culturally-based education. Lloyd Kiva New: Art, Design, and Influence includes

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Shan Goshornwe Hold These Truths

We Hold These Truths features contemporary baskets made from paper that have been inspired by traditional techniques, shapes, patterns and functions of Cherokee baskets. Shan Goshorn examines and manipulates the material and authority of paper as a weapon aimed against Native Americans in the form of treaties, ancestry rolls, laws, restrictions,

Contemporary Indigenous Discourse Series: Resilience And Rightspanel

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Located in the Allan Houser Art Park. Contemporary Indigenous Discourse Series in Partnership with the Association of Tribal Archives, Libraries, and Museums + Creative Santa FeNative Arts and Policy: Resilience and Rights recognizes the increasing importance and relevance of the cultural community and art within a national and international platform. An introductory poem will be read by Navajo Nation Poet laureate Luci Tapahonso.

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Art & Activism: Selections From The Harjo Family Collection

This exhibition highlights works from The Harjo Family Collection. The major art collection was recently donated to the IAIA Museum of Contemporary Native Arts and contains about sixty artworks. These works were purchased or gifted to Suzan Shown Harjo , an important American Indian activist, lobbyist, policy maker, and 2011 recipient of an IAIA Honorary Doctorate.

Museum Store Holiday Sale

Holiday shopping all weekend long at the IAIA Museum of Contemporary Native Arts Store, which is offering discounts on the finest Native and Indigenous art. Museum members receive 20% off and non-members receive 10% off store purchases. Complimentary gift-wrapping, refreshments, and moredont miss this annual shopping event!

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Iaia 2014 Bfa Exhibition

The IAIA Museum of Contemporary Native Arts is proud to present the annual Institute of American Indian Arts BFA student exhibition. This years BFA exhibition celebrates the class of 2013/14 and showcases a diversity of styles that combine traditional skill and contemporary vision. The exhibition features a wide range of works selected by a jury and

Rosalie Favellfacing The Camera: The Santa Fe Suite

Missoula exhibit features contemporary Native American artist

Métis artist Rosalie Favells series, Facing the Camera , is a growing suite of photographic portraiture that documents individuals from a growing Indigenous arts community. Through these images, Favell sees the photograph as a performance space where identity is constantly worked and reworked, represented, and perhaps hidden. Facing The Camera: The Santa Fe Suite was

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Dark Light: The Ceramics Of Christine Nofchissey Mchorse

Dark Light is the first traveling exhibition of this groundbreaking Navajo artist. McHorse, a first-generation potter, is considered among the most innovative artists working today creating vessel-based art that is undecorated and abstract, with formal qualities indebted more to modern sculpture than to Southwestern culture. With the urge to transgress and blur the boundaries

Articulations In Printprints From The Crows Shadow Institute Of The Arts

A selection of prints from the Crows Shadow Press signifies the ever-growing portfolio of prints produced over a 20-year period since the founding of the Crows Shadow Institute of the Arts located in Pendleton, Oregon. The exhibition encompasses the work of many outstanding artists of diverse backgrounds and media, and includes Rick Bartow, Wendy Red

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The Sea Of Grassbook Reading And Dialogue

Located in the Allan Houser Art Park. Join Pawnee Tribe of Oklahoma citizens, author Walter Echo-Hawk and Kevin Gover, Director of the National Museum of the American Indian, Smithsonian Institution, in a lively discussion on historical fiction novel The Sea of Grass: A Family Tale from the American Heartland.

Our Commitment To Indigenous Communities

IAIA Museum of Contemporary Native Arts  North American Reciprocal ...

The Denver Art Museum is located on the homeland of the Arapaho, Cheyenne, and Ute people, along with many people from other Indigenous nations that call this place home. Museums have benefited from the displacement of Indigenous people and the removal and historical misrepresentation of their arts, often resulting in deep harm to originating communities.

While we cannot change the past, we can change how we move forward. Indigenous people have made substantial impacts to our institution, and our identity is innately tied to the Native histories and contributions of Indigenous people past and present. This inspires and grounds us as we move forward in a better way

We commit to building authentic and sustained relationships with Indigenous people at multiple touch points across the museum centering, elevating, and supporting Indigenous people in our programs and practices and providing meaningful access to our resources including collections, programs, tools, and spaces and actively listening to and integrating Indigenous voices to grow as an inclusive and accessible space.

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Art Industry News: A Former Payroll Manager Has Been Accused Of Stealing $2 Million From The Art Institute Of Chicago + Other Stories

Plus, the head of London’s Royal College of Art to step down after 15 years, and artist Yulia Tsvetkova flees Russia amid the country’s LGBTQ crackdown.

Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Heres what you need to know on this Wednesday, January 18.

Steven J Yazzie: The Mountain

Steven J. Yazzies work is about land, as a place of personal reflection, a framework for Indigenous cultural relevance, and a point of reference to changing politics related to urbanization. For the exhibition The Mountain, Yazzie recognizes place as an entity with multidimensional interpretations and has become an essential location for his creative investigations as

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An Evening Redness In The West

This group exhibition takes the idea of the Apocalypse and reimagines it. The fiction novel by Santa Fe author Cormac McCarthy, The Blood Meridian, which traces the violent journey of a ragtag group of men across the American West and Mexico, inspired the exhibitions title. The end of the world, implied by the word Apocalypse,

N Scott Momaday And The Sense Of The Sacred: A Native Poet And Artist A Universal Voicebook Reading + Discussion

IAIA MoCNA Social Engagement Art Residency: Laura Ortman and Eliza Naranjo Morse

Located in the Allan Houser Art Park. Please join author N. Scott Momaday and W. Richard West , President and CEO, Autry Museum of the American West, Dr. Joëlle Rostkowski, and Jill Momaday in a dynamic discussion about N. Scott Momaday and the Sense of the Sacred-A Native Poet and Artist, a Universal Voice written by Dr. Joëlle Rostkowski.

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Gallery Sessions With Artists Terrol Dew Johnson Holly Wilson Darren Vigil Gray And Ian Kualii

Located in the Anne and Loren Kieve Gallery and Allan Houser Art Park. Artists Terrol Dew Johnson , Holly Wilson , Darren Vigil Gray and Ian Kualii will discuss current exhibitions and participate in a panel discussion on their respective art practices with introductions by MoCNA Chief Curator Manuela Well-Off-Man.

Luzene Hill: Virtual Artist Talk

Join MoCNAs Social Engagement Art resident Luzene Hill for a presentation on her artistic practice.

Live virtual presentation with Sandy White Hawk and filmmaker Drew Nicholas.

Video premiere on Facebook of fiber artist Tamara Burgh .

#AskACurator with Chief Curator Manuela Well-Off-Man and Curator of Collections Tatiana Lomahaftewa-Singer.

Visual artist and printmaker, Terran Last Gun ), will be taking over MoCNAs Instagram.

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Articulations In Printkenojuak Ashevak

Internationally renowned graphic artist Kenojuak Ashevak passed away in 2013 at the age of 85. While we mourn the loss of one of the most significant Inuit artists of the modern era, she leaves behind an unparalleled artistic legacy in prints and drawings created over 50 years of uninterrupted production. The selection of

Akunnittinni: A Kinngait Family Portraitpitseolak Ashoona

IAIA Museum of Contemporary Native Arts

Loosely translated, the Inuktitut word Akunnittinni means between us. This exhibition chronicles a visual dialogue between an Inuk grandmother, mother, and daughterPitseolak Ashoona , Napachie Pootoogook , and Annie Pootoogook . Their artworks provide a personal and cultural history of three generations of Inuit women whose art practices included autobiographic narratives and have chronicled

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Cannupa Hanska Luger Stereotype: Misconceptions Of The Native American

Native American is an umbrella term for the Indigenous population of North America. This term, being so broad, has allowed for many external interpretations, from anthropologists to Hollywood directors, to define who Native Americans are. The reality of the matter is that the continent of North America is vast, with environmental and cultural complexity that

Michael Namingha: Artist Talk And Virtual Tour

Please join us for an artist talk and virtual tour with Michael Namingha for a discussion about his exhibition Altered Landscapes.

Discussion with artist Linda Lomahaftewa and Curator Dr. Lara M. Evans .

After the virtual screening of the film Sisters Rising, attend a discussion with filmmaker Willow OFeral.

Artist and IAIA Alum Robyn Tsinnajinnie will be taking over MoCNAs Instagram.

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Sallyann Paschall And Alex J Pea: The Place Between

The two-person exhibition The Place Between draws from and expands upon the conceptual basis of the original multiple supported by the printmaking process and potential for creative manipulation to interpret a sense of place. Paschalls approach utilizes a base of intaglio ImagOn and lithographic prints that include crystal forms found in the geologic minerals of

The Daily Opening Times Of Museum Of Contemporary Native Arts In Santa Fe

‘Signals For Change’: Philbrook Museum Showcases Native American Artwork In Exhibit

The following overview lists the visiting hours for Museum of Contemporary Native Arts in Santa Fe. The hours of the current day are highlighted. Please note that opening hours on special days or holidays may differ from what is displayed here. We therefore recommend you to always check the opening hours with Museum of Contemporary Native Arts before your visit.

Want to know when Museum of Contemporary Native Arts is open? These are the opening hours:

Monday

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Native American Short Films Presented By Sundance

Featuring films from Sundance Institutes Native American and Indigenous Program Sikumi An Iñuit hunter takes his dog team out on the frozen Arctic Ocean in search of seals and inadvertently becomes a witness to a murder. Director: Andrew Okpeaha MacLean Nikamowin Deconstructing and reconstructing Cree narrative, this film

Chris Pappan: Account Past Due Ledger Art And Beyond

This exhibition, a mix of new and recent works, includes drawings and paintings in Chris Pappans signature style of contemporary ledger art. The mid 1800s saw the unprecedented expansion of the American empire, and with it, catastrophic changes for Indigenous people. Beginning in the 1860s, paper was introduced to the plains via ledger books and

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Hock E Aye Vi Edgar Heap Of Birds

HOCK E AYE VI Edgar Heap of Birds , Wheel, 1997-2005. Steel, porcelain, and stone 144 x 24 x 24 in. arranged in 45 ft. diameter circle. Denver Art Museum: Funds from Charles J. Norton by exchange, and funds from the Bonfils-Stanton Foundation, the AT& T Foundation, the National Endowment for the Arts, and the Douglas Society. Installed in 2005 with funding provided by an Economic Development Initiative Grant made possible by U.S. Senator Ben Nighthorse Campbell. Relocated in 2021, 1997.1452.1-10. © HOCK E AYE VI Edgar Heap of Birds

Changing Hands: Art Without Reservation 3/contemporary Native North American Art From The Northeast And Southeastselected Works

IAIA Museum of Contemporary Native Arts  North American Reciprocal ...

Changing Hands: Art Without Reservation 3/Contemporary Native North American Art from the Northeast and Southeast, Selected Works concludes a cycle of landmark exhibitions conceived and organized to present a comprehensive and in-depth cross section of innovative and groundbreaking work by contemporary Indigenous artists. These creative individuals express a new vitality and spirit of experimentation in

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Protocols To Ensure A Safe Visitor Experience

  • Please self-assess your health before visiting the museum. Are you exhibiting any symptoms of COVID-19 ? Have you been in contact with someone who has tested positive for COVID-19? If you are exhibiting any of these symptoms or have been exposed, please do not visit the museum and reschedule for a later date. If you purchased a ticket online, we will work with you on transferring that ticket to another date or providing you with a refund.
  • Respect social distancing and ensure everyones safety by following all signage and directional arrows within each of our gallery spaces. Please respect our max occupancy signs for each gallery space and maintain 6 foot distance or more from other museum guests and staff.
  • Following New Mexicos public health order and IAIAs guiding principles, all visitors will be required to wear a face covering that covers the nose and mouth while in the museum.
  • Hand sanitizing stations have been placed throughout the museum for your convenience.
  • At the moment, no docent-led group tours or school tours will be provided.
  • Please be respectful of our staff and each other. We are here to ensure a safe space for everyone.

If you have questions, please call 428-5912 or email .

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