Arizona State University Museum Of Art
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The Arizona State University Museum of Art It is operated by Arizona State University, and is located on its main campus in Tempe. The collection was established in 1950 and counted until the beginning of the century XXI with about 12,000 objects in its permanent collection. The main focuses of the collection are contemporary art, including new media handicrafts, with an emphasis on American ceramics historical and contemporary engravings the art of Arizona and the southwestern United States, with an emphasis on Latino artists also art from all over America, both historical and modernist and contemporary pieces.
Big Al Is Definitely Larger Than Life
I dont really have a style. I just do it. I love lines, I feel lines. I see something, I say, Man, thats nice! Allen B. CarterThis month the ASU Art Museum is presenting the work of the talented but humble Allen Big Al Carter, and looking at the legacy he left behind, I admire many characteristics of his work.
Sketched and painted with thin to thickened lines, he expresses a variety of emotions through his artwork, as well as through his dominate color choice of green and blue tones. In the exhibition of work currently on view at the ASU Art Museum, titled Big Al: Larger than Life , each painting depicts African American life as Big Al saw it from portraits of both the rich and the poor to art made on wooden chairs, lamp shades, and even on a wooden room divider reflecting his compulsive habit to make art on and with almost anything. Comparing one artwork to another, Carter has a style that is distinct and I am able to notice the difference in emotion, energy, and scene which I feel is what makes his art larger than life. He is a painter that paints from the heart, for the world, for freedom of his expression, and seeks to illustrate how he views individuals in society, including many people in his own life that hes known.
Allen B. Carter, Carp. Mixed media, 29 x 50 in.
Leilani Solema, Public Relations and Marketing Intern
Sneakers And Capri Sun At The Asu Art Museum
You dont normally find a large illustration of sneakers and Capri Sun when you walk into an art gallery, but Brooklyn-based artist Katherine Bernhardts style and bold choice of colors was hard to look past. After I discovered her painting titled Sneakers, Computers, Capri Sun, included in the Unfixed: New Painting exhibition in ASU Art Museums Top Gallery, I did some research and found that Katherine Bernhardt was not only an artist, but someone who is obsessed with fashion as much as I am.
Katherine Bernhardt, Sneakers, computers, Capri Sun, 2014. Acrylic and spray paint on canvas, 96 x 120 in. Image courtesy of the artist.
A recent exhibition of Bernhardts work at the Canada Gallery in New York titled Stupid, Crazy, Funny, Ridiculous, Patterns showcases similar bold and random artworks. With acrylic and spray paint, Bernhardt is able to turn coffee and cigarettes, hamburgers and French fries, and cassettes tapes into masterpieces.
I admire Bernhardts sense of humor in her artwork and the way she incorporates fashion and pop culture. She combines subjects you would never think go together to create cool patterns. Shes also known for her fascination with models, something that is seen in her earlier works. Brands such as Chanel have even included her work in their stores.
Katherine Bernhardt, Nomad, installation view, 2012. Image via Loyal Gallery.
Katherine Bernhardt x Maria Brito Coffee and Ice Cream Clutch. From Out There NYC.
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Black Lives Matter Murals
After a massive yellow mural reading “Black Lives Matter” was painted on a prominent street in Washington, D.C., Gizette Knight hoped to install a street mural with that same theme in downtown Phoenix. When she couldn’t get city approval, Knight did what activists do best: She found another way to make the message heard. Knight coordinated a Black Lives Matter mural project that included numerous Black History Matters murals painted by various artists around Phoenix. The murals, hosted by places like The Nash and Carly’s Bistro in Roosevelt Row, featured the faces of renowned Black changemakers like Shirley Chisholm, Huey P. Newton, and Harriet Tubman â as well as some who aren’t as well known. Best of all, the project included a billboard along Grand Avenue, assuring that the Black History Matters message would be widely seen in our urban landscape.
What Are Museum Studies
Museum studies focus on the global, historical and theoretical aspects of museums and cultural institutions. The field spans the design, organization and management of national and international museums.
The museum studies degree concentration combines the academic study of art history with the broad scope of museum practice. Through practical learning experiences, youâll study the basic functions of museum operations. These include administration, acquisition and conservation of artifacts. Youâll also learn about the important role museums and cultural institutions play in educating the public and raising cultural heritage awareness on local, national and international levels.
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Asu Art Museum Locations And Museum Hours
The ASU Art Museum features collections and exhibits at three locations around the Valley:
- The Nelson Fine Arts Center is the largest branch of ASUs Art Museum in Tempe. It opened in 1989 with nearly 50,000 square feet of space for five galleries displaying the majority of works and exhibits from this museum.
Operating Hours: The museum is open from 11am to 5pm on Tuesdays through Saturdays and until 8 pm on Thursdays during the academic semesters, and with no entrance fee.
- The Ceramics Research Center & Brickyard Gallery is a 7,500 sq. ft museum with two galleries and an in-house library that opened its doors to the public for the first time back in 2014 on ASUs Tempe Campus.
Operating Hours: The museum is open from 11 a.m. to 5 p.m., Tuesday-Saturday, and with no entrance fee.
Operating Hours: By appointment
The Mission Of The Art Museums
As a teaching institution, Northern Arizona University and the Art Museums emphasize the diversity of voices, media, themes, and creative impulses at work in todayâs art. The Museums and the College of Arts and Letters believe in the centrality of artistic expression in all communities and cultures and the incalculable value of art as an educational experience. The Art Museums sustain their role as leading cultural institutions in northern Arizona through their acquisition of challenging, contemporary art, its support of a vibrant annual schedule of special exhibitions, and its outreach efforts directed to the larger northern Arizona community.
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Arizona State University Art Museum
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Asu Art Museum Archives
Dozens of ceramic artists will open their studios to the public this weekend at 17 locations across the Valley for Arizona State University Art Museum’s annual Ceramic Studio Tour. Each studio has a lead artist who has invited special guest artists, enticing us with a promising variety of shapes, sizes and styles.
Chicago multimedia artist Hannah Barco has been busy creating an intriguing new installation, titled Fathomings, during her one-month residency at the Arizona State University Art Museum. Last night, she debuted her new exhibit at a special preview and PHOENIX checked it out.
For more than 50 years, PHOENIX magazine’s experienced writers, editors, and designers have captured all sides of the Valley with award-winning and insightful writing, and groundbreaking report and design. Our expository features, narratives, profiles, and investigative features keep our 385,000 readers in touch with the Valley’s latest trends, events, personalities and places.
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Dispatches From Madrid: On The Road With Charles Demuth
Editors note: Last month, the ASU Art Museums Teresa Shannon, assistant registrar headed to Madrid to oversee the safe travel of a Charles Demuth painting from the museums collection, entitled A Sky After El Greco. Heres a firsthand look at her trip:
The Madrid airport, unlike our own Sky Harbor, only has one exit from the international arrivals terminal. While this made for a hectic and crowded journey through customs, at the end it rewarded me with one of the happiest experiences of travel: seeing family awaiting the arrival of a loved one. Gobs of children and adults press themselves against the security barrier and burst into cheers when they glimpse the face of their family member in the crowd of us moving toward the exit. In the midst of all the smiling faces stands a man in a business suit holding a piece of paper with my name spelled out in all caps. I rush over to introduce myself to the man who will escort me from the airport to the Museo Nacional del Prado.
This second half of my journey is where the real work would start. Antonio drives to the freight packing area of the airport and I watch as the crate containing the painting is loaded on to a truck and strapped securely in for its drive to the Prado. Following this truck to the museum gives me my first glimpse of beautiful Madrid, where cars darted down tree-lined, one-way streets and people walk briskly on a mixture of well-maintained sidewalks and treacherous cobblestone paths.
Arizona State University Art Museum: A Business Plan
Much of this thesis deals with taking for-profit business principles and applying them to a non-profit institution. The ASU Art Museum is a public institution therefore, it needs to measure success by how well it maximizes public benefit. Profit is
Much of this thesis deals with taking for-profit business principles and applying them to a non-profit institution. The ASU Art Museum is a public institution therefore, it needs to measure success by how well it maximizes public benefit. Profit is the main gauge used for assessing the success of a business.
The ASU Library acknowledges the twenty-two Native Nations that have inhabited this land for centuries. Arizona State University’s four campuses are located in the Salt River Valley on ancestral territories of Indigenous peoples, including the Akimel Oodham and Pee Posh Indian Communities, whose care and keeping of these lands allows us to be here today. ASU Library acknowledges the sovereignty of these nations and seeks to foster an environment of success and possibility for Native American students and patrons. We are advocates for the incorporation of Indigenous knowledge systems and research methodologies within contemporary library practice. ASU Library welcomes members of the Akimel Oodham and Pee Posh, and all Native nations to the Library.
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Museum Studies Degree Courses
Youâll take a range of art history and museum studies courses in the undergraduate program. Course topics include art from different periods of time and from all over the world. Youâll also have the opportunity to explore electives that pique your interests. These courses might include Art and Money, Anime, Art of the Comic, The Body and 19th Century Art, Representing Justice: Art, Law and Censorship, and more.
Asu Art Museum At Arizona State University’s Herberger Institute For Design And The Arts
The ASU Art Museum, named the single most impressive venue for contemporary art in Arizona by Art in America magazine, is part of the Herberger Institute for Design and the Arts at Arizona State University. To learn more about the museum, call T 480 965 2787. The museum has three locations across the metro Phoenix area: the ASU Art Museum at 10th Street and Mill Avenue, on ASUs Tempe campus the ASU Art Museum Brickyard at 7th Street and Mill Avenue, in downtown Tempe and the ASU Art Museum International Artist Residency Program at Combine Studios, in downtown Phoenix. Designated parking is available at all three locations. Admission is free at all three locations. The ASU Art Museum and ASU Art Museum Brickyard are open 11am8pm on Tuesdays , 11am5pm Wednesday through Saturday. The museum is closed on Sundays and Mondays. The ASU Art Museum International Artist Residency Program in downtown Phoenix at Combine Studios is open by appointment.
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‘division Of Labor: Women Shifting A Transnational Gaze’
Arizona-based artists M. Jenea Sanchez and Gabriela Muñoz have been collaborating for more than five years, most recently working with a women’s self-help collective along the border between Arizona and Mexico. This year, that collaboration leveled up with an exhibition at Scottsdale Museum of Contemporary Art titled “Division of Labor: Women Shifting a Transnational Gaze.” The museum had invited Sanchez and Muñoz to co-curate an exhibition of works drawn from its own collection. Instead, the artists created an exhibition featuring not only works from the collection, but also 10 contemporary Latinx artists working in the borderlands. The collaboration went beyond two artists teaming up it became a model for shared power and horizontal leadership within art museums and communities.
- 7374 E. Second St.,Scottsdale,85251Map
Introspective Elements Tan Pings Follow My Line
Walking into the Kresge gallery at the ASU Art Museum, the visitor is confronted with several charcoal drawings installed on pedestals at various heights. The pedestals are placed sporadically throughout the floor and lack a sense of guidance, venturing from the conventional means of displaying artwork. Toward the back of the room, we can enter a space created to show a documentary of Chinese artist Tan Pings process in making the drawings as well as an interview with the artist. The screech of the charcoal against the paper may be a bit much, but it is here that you can begin to understand the artists intention in the odd but interesting display of his exhibition, Tan Ping: Follow My Line.
Many art galleries and museums have a structured way of exhibiting their pieces. The artwork is framed, hung on a wall and placed in a specific spot that coincides with the visitors path through the space. If a piece is placed on a pedestal, there is a certain amount of distance created between the object and viewer using a covering or extra space around the piece. Tan Ping breaks this standard by displaying his work on a flat and uncovered surface. This sort of decision is not only to break the typical methods of exhibition it also relates to traditional Chinese art presentation and engages the viewer in a much more dynamic way.
Hannah Weston, Public Relations and Marketing Intern
All photos by Hannah Weston.
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Heres What You Need To Know Before Visiting:
- ASU requests that visitors ask themselves the following questions, the same used by the screeners according to CDC guidelines. Be honest please do not go inside if you answer yes to any of the questions below. Go home and contact your health care provider before returning to campus. If we can help to meet your needs without you needing to enter the building, we will do so.
No FOMO! If youre not yet ready to come in person, no problem! We will continue to bring the museum to you virtually through our social media channels: , , , and Spotify, so make sure you are following us there to stay up to date.
Have questions? Give us a call at 480-965-2787, this is a first for all of us!
Earn Your Museum Studies Degree Concentration Online
The museum studies bachelorâs degree concentration at Arizona State University is the first of its kind offered 100% online in the U.S. Regardless of your location, youâll have access to the undergraduate programâs rigorous curriculum. It features coursework on the study of art and all facets of museums, from business and cultural tourism to fundraising and marketing. Youâll take courses developed and taught by recognized professionals in museum studies. Youâll explore art galleries, preservation societies, public art programs and more from global, historical and cultural contexts.
Through coursework and internships, youâll become knowledgeable in art history, museum practice and visual thinking. Youâll gain the experience and skills needed to pursue careers in local, national and international museums. These skills can give you a competitive advantage when seeking employment with your art degree with a concentration in museum studies bachelorâs.What skills will I earn with a museum studies degree?
- Creative and critical thinking.
- Problem solving and quantitative reasoning.
- Reading ability in at least one foreign language.
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